TPR

Author: CHall

  • For Cliff

    by Olivia Dorsey Peacock


    a letter for great-grandpa

    your children insist i know nothing of survival

    could not imagine tilling soil with hands raw excavating
    life from snow the harshness of your words
    waking at dawn caressing young hands that churned
    cows’ milk into butter nursing
    the wounds of a beaten and aging brother

    could not imagine escaping fields of brown,
    falling from golden heights
    in kiss’s breath death resigning
    to home under boulders trading for
    incessant throbs crushed arm, crushed femur.

    i know

    i think of you often
    torso dragging limbs across your fields, plow neglected
    with the hardheadedness of those
    sun-dried South Carolina fathers
    refined by mountains calluses scented with limestone
    dusted in soda ash painted in red clay
    clinging to dignity always
    behind eyes always, all those tears
    an offering.


    Olivia Dorsey Peacock is a family historian, poet, and tea maven based in North Carolina. She has received fellowships and support from The Watering Hole, the Martha’s Vineyard Institute of Creative Writing, and the Arts & Science Council. She is currently serving as Charlotte Lit’s 2025 GoodLit Poetry Fellow and previously served as a 2025 Goodyear Arts Artist-in-Residence. Her writing has appeared in Lucky Jefferson, poetry.onl, and Shot Glass Journal. Follow her @ohdeepeacock and find her work at oliviapeacock.com.

  • Call Me

    by Lisa Underwood


    I lie down too tired to brush my teeth, staring
    at an eighth-grade picture of you, your mouth
    brilliant with metal, your green eyes begging
    love me love me. I shut it in the drawer, out of
    sight, out of mind, like all the things I keep in
    frames, on shelves, in closets, the boxes of
    trading cards and action figures, trophies I
    haven’t thrown away, thinking maybe you’d
    want them someday like your cat, only a shadow
    now. I know I should put her down but I don’t,
    though she’s bony and toothless, stone deaf,
    roaming the house howling for what I don’t know.
    Calling, calling like your father on Sundays, like
    his own father would do, alone and confused,
    always looking for something he’d lost. Calling,
    calling until we dreaded picking up the phone,
    dreaded even his voice on the answering machine:
    It’s PawPaw give me a call I’m homeIt’s PawPaw
    It’sPawPawgivemeacallI’mhomeIt’sPawPaw
    itsPawPaw…
    I hear your father talking now to your
    unanswered phone: It’s Dad. Give us a call,
    we’re home
    , and I try to remember to scold him
    for making us sound so old.


    Lisa C. Underwood received her Master of Arts in journalism from the University of North Carolina at Chapel Hill, and her Master of Fine Arts in creative writing from Queens University. She has written for newspapers and magazines and worked in public relations for corporations and educational institutions. Her creative writing has appeared in journals and anthologies. Lisa’s first book of poetry is The Bone Picker (Finishing Line Press, due out in 2026). She lives in Greensboro, NC.

  • Egg Salad

    by Jade Rivera Bowden


    The cheese had blackened around the edges. She dug her fingernail in, scraping the charred bits onto the floor of her car, slamming the brakes at the last second to keep from rear-ending the car in front of her. 

    Her students had been particularly annoying that day. The closest she could get them to an analysis of Animal Farm was a conversation about Jessica’s hamster’s most recent escape attempt.   

    With the burnt quiche in one hand, she laid on her horn with the other, a gentle reminder to the car in front of her that it was, in fact, clear for them to turn left. 

    No one seems to know how to drive, Sheila thought, even as the slush falling from the sky seemed to be falling harder and faster every minute.

    She got into her third almost-accident as she was pulling into the parking lot of her apartment complex, braking so suddenly that she lurched forward to let a black cat cross her path safely. As she slowly rolled past it, she rolled down her window and hissed.

    She barged into her apartment, threw her keys into the dish with a loud clang, disposed of the failed quiche and wiped the crumbs off her navy slacks.

    It was already pitch-black outside, even though it was only 6pm. She’d had to stay late to watch the stupid play rehearsal. She’d told the fresh-faced theatre director that it was coming along nicely only because it was so bad that she didn’t even know how to give a meaningful critique. Or perhaps she just didn’t want to. 

    She dropped onto the couch, pulling a blanket over herself to block the world out. She did this on the increasingly frequent days that her students consumed her like a cackle of hyenas on a zebra carcass, leaving her nothing of herself but a blank space. 

    It was masochistic, she thought, to imagine that her love of books could translate to middle schoolers. This crazy fantasy she’d had as a college student, ‘inspiring the youth’ or some such bullshit, had become her wasting away each night in a crummy little apartment, extremely single, and going into a job each day that was nothing more than glorified babysitting. 

    Daniel would’ve known what to do, of course. Daniel always knew what to do. He’d been trained to be that way by those blue-blooded parents of his. She thought about that woman who was sleeping in his bed with him, on the right side assuredly, where she herself had slept for so many nights. 

    The thought upset her, so instead of continuing to think, she turned on the TV. The blaring blue light soaked her and she stared blankly at the people on the screen, letting her own pitiful existence slowly drop away.

    “Jane,” she said the next day over cold soggy sandwiches in the teachers’ lounge, “I don’t really know how to say this, but…” she paused for dramatic effect. “The play is going to be a disaster.”

    They both hunched over, laughing into their fists. 

    Jane taught History at Middleboro Middle School. Her classroom was right next to Sheila’s, so they’d become friends. Best friends. Jane had the chubby cheeks of an innocent with the wit of a snake. Her pale blonde hair was always cut short, making a halo around her head. Jane liked to say it was the perfect disguise for her checkered past. 

    Jane had been appointed as Set Designer for the play since the art teacher was out on maternity leave. Sheila had been called in as one of the teachers for the ‘Test Group,’ teachers who would come in during the final week of rehearsals to give notes before the big day. 

    It was an atrocity really that the middle school had even been allowed to do a production of ‘Hair.’ The snappy new theatre director, Angelica, was in her first year of teaching straight out of college and had thought it would be a fun show for the students. But of course, she’d had to change every drug and sex reference to something PG, mangling the show beyond recognition. It was like watching your mind unraveling, personalities splitting and then splitting again, ending in a confusing cultural mush.

    That evening, Sheila sat in the fourth row in the dark auditorium, using both hands to tear into a buffalo wing. A smear of sauce snuck up her cheek. She wiped it off with her hand then wiped her hand on the velvet cushion below her.  

    It had been another exceptionally long day. She’d written Animal Farm on the board and ‘oppression’ next to it, steadying herself for the attempt to spark a conversation that would inevitably disappoint her.

    As she turned back around to face her students, a sharp putrid smell hit her, reaching inside of her and flipping her stomach over. 

    She covered her nose, so shocked by this onslaught that she was unable to speak for a moment. That’s when a girl in the middle of the class started crying. She’d vomited into her own lap, attempting to conceal it from her classmates, but an orangey gravy had started trickling down her legs. The smell alone had made two other students vomit. 

    By the time everyone had gotten cleaned up and settled back in and the girl had been taken to the nurse to sort out whatever hadn’t agreed with her, there were only 10 minutes left in class.

    Sheila hadn’t been hungry for lunch. She’d caught traces of bile on the air for the rest of the day, so she was starving by the time school was over. She feasted on the wings, eating with the speed and consistency of a machine while delighting in this awkward version of ‘The Bed.’

    Sheila had looked up the actual play as a means of comparison. She knew that this song was supposed to be about sex. Angelica had made it about going to sleep. A particularly delicious sleep.

    The boy singing must have gotten ahold of the original lyrics, too He sang loudly, “You can tease in bed, you can please in bed—” 

    Angelica interrupted him. “No, no Henry. It’s You can EASE in bed, then you pick up the TEA CUP and—”

    “Sheila?” 

    It was whispered right next to her as she’d been mid-bite, hunched over, tearing meat away from bone with her teeth.

    She turned, body tensed like a cat, only to see Daniel right next to her.

    The fact that he was the principal had been fun at the time. Incredibly sexy. But now it made her skin crawl, her ex-lover being her boss.

    “Oh, hi” she scraped out.

    “May I?” he gestured to the seat next to her.

    “Sure”

    She stuffed the wings under her seat, but the overpowering spicy and barbeque-y smell enveloped them. Daniel didn’t react.

    “I was so sorry to hear about Molly throwing up today,” he whispered, looking straight ahead. 

    How to respond to that? “Well, sure.”

    “How are you doing?” he asked. The fact that they were whispering in the dark brought back an intimacy that made her tingle. She diligently tried to clean her mouth with her tongue, running it over her teeth, around her cheeks, desperate for her breath not to smell. 

    “I’ve been better” she whispered straight into his ear, her chin just barely grazing the fabric of his blazer. She felt a chill like she’d just dived into a freezing lake face-first.

    He kept his gaze on the stage. “Understandable,” he said, flatly, nodding. 

    They sat like that together, not uncomfortably, for a few moments. 

    The ten boisterous children in pajamas on stage pretended to yawn, singing about how the bed was “an invention so good.”

    Daniel scoffed lightly, turning to her again. “You know, this play was originally a form of protest against the war on drugs.”

    “Yeah, all that they’re protesting now is our sanity.”

    Just then a sharp, loud and wildly out of key note startled the whole room. Even the child singing clapped their hand over their mouth, blushing.

    They bit back laughter, pressing themselves into the backs of their seats in the cavernous dark room.

    He stayed there for the rest of the rehearsal, right next to her in a sea of empty seats. She could hardly remember what it had felt like to be hungry.  

    The next day in the teacher’s lounge over bland veggie fusilli, she told Jane everything.  

    “And he just sat there?” Jane asked, “The whole time?”

    Sheila nodded smugly, inhaling the smell of chicken wings that was still beneath her fingernails. 

    On her way home that night, she’d watched the trees reaching their bare limbs straight up, tangling them in the night sky. When she plopped onto her couch, she hadn’t turned on her TV. Instead she’d picked up an old favorite, Lady Chatterley’s Lover.

    The next day was her final pre-viewing of the play. She’d gotten meticulously dressed that morning– her long red and black patterned dress with the buttons down the front. Buttons that could be unbuttoned, she thought.

    Her classes flew by uneventfully, a welcome surprise. They’d even gotten into a mildly interesting debate about Oscar Meyer wiener when discussing Animal Farm. 

    When the last bell finally rang and the kids were all out of her classroom, she’d used her reflection in the window to re-pin her hair. She spritzed her neck with perfume one side then the other. Then she lifted up the bottom of her dress and gave herself a little spritz down there. She chugged a Slimfast then headed to the auditorium. 

    She sat in the same seat she’d been in the other night, trying to look interested. She pushed her chest out to create a luscious silhouette, just in case anyone was watching her. 

    Angelica had struggled with this number. ‘Walking on the Moon’ was supposed to be about a drug trip, but she’d decided to make the song about a flow state while playing an instrument. Lines like “Oh my God my bow is so soft. I love my cello” didn’t really land. 

    She felt a hand on her shoulder and shuddered. She smelled his musky cologne even before she turned to look, rapturous. 

    “Do you mind?” he asked, gesturing to the seat next to her. 

    “No not at—” she turned to see Daniel, perfect Daniel, the tweed of his blazer complementing his salt and pepper stubble. But then something emerged from behind him. Someone. Her. 

    She wasn’t even a teacher. She was the secretary in the main office, a lowly and uninteresting position. Sure, Daniel had a bit of a reputation. All the female teachers knew that. But Sheila hadn’t expected anything to come out of his trips to the fax machine, his requests for the secretary to help him fix it. Their romance budding over the warm paper.

    “Hi, Sheila”. The way she said it, the tone in her voice. Sheila’s lips curled inward, a smile as thin as a pencil line. 

    They sat there, right next to her, for the duration of the play. The secretary would lean over and whisper little things in his ear, how cute a child was, how she liked that hippy costume. Sheila was shocked that their relationship had lasted. No, not shocked. Angry. Not angry that he wasn’t with her, angry that he, her Daniel, had chosen someone so blonde, so thin, so endlessly appropriate. 

    Sheila watched them without turning her head, craning her eyes as far to the left as they could go. She saw how he tilted his head toward her when she spoke, a catcher’s mitt for her every little musing.

    He would smile, nod, but never provide a thought of his own. 

    The ‘Let the Sunshine’ song had largely been kept the same, unbearably joy-filled.  Sheila left as soon as the lights came up, fighting her way down the long row, toggling seat bottoms up and down in her wake. She could still hear their voices behind her, the secretary’s laugh like the tinkling of Christmas bells. A sound that was obviously meant to please him.

    “Jane.” Sheila barked into her phone when she was in the foyer. “Meet me at the roundabout.”

    A little while later, they were pulling up to his house. His front porch lights were on, welcomingly, but there were no other lights on in the house. Perfect, she thought. She’d hoped to get there before they got home.

    It had been more expensive than she thought it would be, buying all those eggs. More expensive than she could afford on her teacher’s salary, really. But she’d filled up her trunk anyway.

    The first one had missed by a long shot, landing somewhere in the rhododendrons, but the aggression of it had felt marvelous. Her arm whooshing through the air, her muscles ignited. She and Jane turned to each other, grabbing one another’s hands, laughing, jumping up and down.

    That’s when it really got fun. The shock of bright yellow dripping down the white siding was like seeing a rainbow for the first time, delightfully out of place.

    They decorated as much of the house as they could with yellow streaks. Jane even cracked some eggs on the front porch so Daniel and the secretary would have to step through them on their way inside. 

    On her last carton, Sheila hurled one right at the bedroom window, the one she’d been on the other side of so many mornings. To her surprise, the window broke. A loud alarm pierced the air. 

    They shrieked, but they didn’t really care. They were in the place beyond fear. Sheila looked down at the carton in her hands that only had two eggs missing, otherwise full. She thought of what she’d do with them if she brought them home. Maybe she’d make an egg salad. The thought felt grotesque, eating eggs that Daniel had tainted. 

    “Let’s finish this carton Janey” she shrieked so Jane could hear her.

    With the blare of the alarm coating the night, they yelled their final curses and hurled the last of the eggs right at the front door. 

    As she and Jane turned to leave, they were lit up by the headlights of a car turning into the driveway. 

    They froze. Jane turned to her, but Sheila tilted her head back and laughed, letting the beam of the headlight coat her open throat. She squared off to their car, licking her lips and giving them a big juicy smile. As if it was them who didn’t belong there. As if she’d just given them a gift and was expecting a thank you.  


    Jade Rivera Bowden is a current MFA student at USC and a graduate of Barnard
    College of Columbia University. One of her short stories was published in Silent
    Auctions magazine and she has recently finished a novel I Have a Great Opportunity for
    You which she is currently querying. She lives in a little brick house outside of the SC
    capital with her big fluffy dog and little tuxedo cat.

  • Weeping in My Potato Salad

    By Amy Singleton


    The second time my mama had brain surgery, in the fall of 1989, her tumor had returned, resurrected from the dead. All it had needed to grow was one tiny, vicious, tumor seed left behind from the first surgery, tucked away in the folds of her brain, lying dormant and waiting to wreak havoc once more. The tumor, now the size of a small tangerine, wasn’t malignant, but in theory, it might as well have been. Deadly. As it grew, it wrapped its strangling vines and tendrils tighter around the major blood vessels, choking the flow of blood to the sagittal sinus that runs through the middle of the brain, a major highway, a crucial lifeline for a brain’s function. After a lengthy consult with her neurologist, my Mama and Daddy agreed to the surgery even though it was high risk.

    A little recuperating and the proper physical therapy and you’ll be good as new,” I told Mama.  Or for her, I hoped, to the level of good she was at sixty-seven years old, which I don’t consider old. As I write this, I will turn sixty-four tomorrow. Mama had overcome her disabilities and managed to live a fulfilling and simple life and now, this. Undeserved. We, Daddy and I, tried to be optimistic that the cards hadn’t dealt her a losing hand this time. But we understood Mama couldn’t live a normal life with the tumor, nor could she live without the surgery.  The beast in her head would continue to grow and total disability and death would eventually set in. There were still no recommendations for post-surgery interventions or treatment such as chemotherapy or radiation. They were not effective. The surgeon told us he would do the best he could to remove as much tumor possible, so she didn’t lose any brain function or cognition.

    I was allowed to accompany Mama for her prep before surgery at the Medical University of South Carolina, in Charleston. I followed the nurse as Mama was wheeled into one of the smaller preoperative rooms in the operating suite the night before. She sat motionless, in silence, in a stainless-steel chair, an apron wrapped barber style encircling her neck. The light, dim from a surgical lamp in the corner, reflected off the standard cold, hard, green tile walls, offered no warmth as the nurse prepped to shave her head.  My heart hurt for her. With the first scissor cut of hair, blond locks landing on her shoulders, we cried in tandem. Gently brushing the curls on to the floor, the nurse asked if she was okay to continue. She replied “yes” in her sweet voice, and “don’t want to keep the hair.” She opted not to keep the collected locks, as they were considered personal property. Electric clippers buzzed the tiny spikes of coarse hair for final removal, and she was closely shaved with foam and a hand razor, and her now bald head bathed in an antibacterial solution. The last bit of her dignity lay on the floor.

    Back in her room, we talked and loved on each other. I kissed her good night, and I held her until she drifted off to sleep from the sleeping pill the nurse had given her.

    The next day, surgery day, around 3 p.m., we were finally greeted by Mama’s surgeon in the OR waiting room.

    “We’re sorry” were the first words spoken to Daddy and me by the surgeon.

    Her surgeon began to tell us how he and the anesthesia staff believed Mama had had a severe reaction to a medication of some kind. They didn’t know when it happened but discovered it after the surgery was over and they removed all the surgical drapes.  She had severe swelling of the throat and tongue. The blood supply was cut off and they had no idea the extent of her damage until the swelling subsided and she could awake up and have her breathing tube removed. As if that wasn’t a gut punch, he then went on to say, hesitantly, they could not put all of her skull back together and had to contain it in the lab for safe keeping until her brain stopped swelling. They would place the missing piece of her puzzled skull later when she recovered. Occupational Therapy would make her a helmet to wear to protect her brain until that time. He ended the conversation with another “I’m sorry,” and that we could see her when the staff got her settled in the neurosurgical intensive care unit. And then he was gone, that surgeon.

    My world as I knew it suddenly tilted off its axis. Thinking to myself, how do I even begin to process this information? I needed immediate comfort. Daddy, not a hugger, needed nothing from me. He only needed Mama, and so did I. A quiet man, he simply stood, silent, picked up his walking stick, one of his favorites he fashioned himself out of deer horn for a handle and a small hickory tree limb, and walked away. I watched him hobble along; his gait aided by his stick like a third leg. He mixed and meshed amongst a blur of hospital staff, patients, and visitors, until no longer in my view. I knew he would be back, so I sat, deflated, and waited for his return. Left alone, and with my own thoughts, I cannot remember everything I pondered. All of the unknowns in our future, most likely.

    Reunited, Daddy and I made our way upstairs to the neuro ICU and waited for the nurse to open the secured metal doors that protected this sacred place for healing brains. Upon entering the unit, I sensed all my previous work experiences in the operating room as a surgical technologist hadn’t prepared me for what I was about to encounter.

    Pale, swollen, and fragile, the beautiful, blond, blue-eyed woman, with baby soft skin, the one I knew and loved as Mama, was unrecognizable. Yards and yards of white gauze, expected after her surgery, shrouded three-fourths of her head. Tubes and lines and beeps and alarms were relentless. And then I saw her tongue, protruding beyond her cracked lips. Bruised, red and purple, angry, it was at least five times larger than normal, or it seemed. The tracheal tube down her throat was the only thing keeping her from suffocating. The allergic reaction she had during the surgery caused so much swelling in the throat the tongue tissue was simply destroyed when the blood supply was cut off. Feeling helpless, I knew the path to her healing and a recovery would be uncertain, but we held space for that hope.

    The first time my mama had brain surgery was in the summer of 1983, eighteen months after the onset of her having seizures. These were not the typical textbook seizures. She did not lose consciousness. No convulsions, eye rolls, or drooling.  No biting her tongue.  She was fully aware and awake each time. She would tell my Daddy she felt like she was having leg and body cramps, like having multiple Charlie horses over and over again until the seizure subsided. Her cries were not only of the painfulness, but fear. Complete exhaustion set in for a day or two after the devil of episodes finally subsided. My daddy was the only witness. Feeling completely helpless, watching the love of his life in distress, he did what he could to protect and comfort her until the bitter end. The seizures did not occur every day or week, even. Doctors passed them off as needing more potassium in her diet and to go home and drink some Gatorade every day. One Conway, South Carolina Hospital emergency department doctor diagnosed her as having problems at home. It was all confusing.

    A second-year medical school student in our family, gravely concerned after hearing Mama’s symptoms, suggested she may have a neurological issue, and was actually experiencing seizures. After a series of calls, he was able to get her an appointment with a neurologist at the Medical University of South Carolina, in Charleston. A diagnosis of a meningioma, a tumor that rises from the meninges, the covering of the brain, was the culprit. Surgery was scheduled immediately, and after her several months of recovery and therapy, she resumed a somewhat normal retirement life, spending time sewing, traveling with Daddy, and meeting with her church friends. And cooking for whoever came to visit. Meningiomas are benign, and no further treatment was needed. Still, they are life altering and often life-threatening because of where they decide to randomly attack in the brain. The surgeon told Daddy and me they hoped they got all of the tumor.

    Mama had been through her fair share of life altering events. As a young child in the 1930’s, she spent the better part of two years in the Shriners Children’s Hospital in Greenville, South Carolina, to heal her leg that fractured after a fall while climbing a streetlight pole with her brothers when she was nine-years old. Infection had settled in her bones. She had an open incision for months to allow the wound to drain. The doctors saved her leg from amputation, although her ankle bones were fused together, and she was never able to flex it or put her foot flat on the ground as she stood or walked.  It didn’t slow her down. Two of her brothers wheeled her to school each day in a wagon until she was able to walk on her own without discomfort. She continued as a Shriners outpatient until she was fifteen years old. I never heard her complain and she was able to wear fancy wedge shoes to compensate for her shortened leg. I have often wondered if her exposure to excessive radiation from x-rays as a child patient may have contributed to her brain tumor.

    Working fulltime after having three children, Mama birthed me ten years after her third child, and still managed to do all the things she loved: tending her flock, being a dedicated wife and partner, keeping a tidy house, dabbling in the dirt and fussing over her favorite pure white Shasta daisies and prized purple irises, and enjoying being a leader of my Girl Scout Troop, 191. Two of her greatest loves, sewing and cooking, topped her list. She sewed beautifully from a young age, making dresses for herself, sister, and working as an assistant to her neighbor who was also a seamstress.  She had a good eye and could work without a pattern when necessary. As for me, I don’t remember wearing a storebought dress as a child, particularly for Easter or a piano recital.

    And then, there was her cooking. Nothing was exceptionally fancy, but everything was meticulously prepared. (except for maybe the time she hand-rolled two hundred fancy eggrolls for my wedding reception) She loved to throw together a chuck roast beef stew on a cold day. There was always a pot of plain rice and homemade biscuits sitting on the stove.  Occasionally she would fry up liver and onions, but fortunately only enough for herself and Daddy. Brown oven rice baked with Campbell’s soups and Sunbeam brown and serve rolls, the ones you could peel apart in layers and top with a pat of Parkway margarine before baking, and her chocolate cream cheese ribbon brownies with chocolate frosting were some of her easy go-to foods. I didn’t mind that they were all on repeat, along with curled elbow macaroni salad or macaroni and cheese made with lots of milk, eggs, and cheddar, usually hand grated by me because I could do it quickly. It was layered with vermicelli noodles instead of the traditional macaroni. I still make that occasionally.  Oh, and potato salad. Always potato salad.

    The kitchen and dining room in my house were separated by a swinging restaurant style door, one without a window to peer through, so it stayed open most of the time and we could spill into the dining room when needed.  Mama’s folding Singer sewing machine cabinet sat in the corner. The dining table served as her fabric cutting board.

    Mama’s real domain, the kitchen, was where we all spent a lot of happy times. Double windows over the sink allowed her to gaze out through the glassed-in back porch, viewing the yard and anyone strolling up the sidewalk to visit.  Honey colored knotty pine cabinets flanked the walls on two sides. The refrigerator sat on the opposite wall all to itself. A tiny pantry and broom closet occupied the spaces in each corner. Avocado green and old gold were fashionable colors, and in vogue in the 70’s, and we followed suit with sheer curtains embroidered with tiny flowers of green and yellow. A tin filled with strained bacon grease sat beside the stove. A cast iron skillet, always at the ready, covered one eye. Warm aromas lingered from the previous meal she made for us.

    One of my favorite photos of Mama is one where she’s wearing her green and white flowered apron, taken on a Sunday in her kitchen, a big smile on her sweet face. To this day, it sits framed in my own kitchen as a reminder of happy times and how we are connected by food we share with loved ones.

    On a typical Sunday, she would rise up early before church and finish cooking the Sunday dinner she had started prepping the day before. I say dinner, because we ate dinner for lunch and supper for dinner. Lunch was what you had at school or work. It may be a roast, or a side of pork, or fried chicken. Said chicken, a yardbird chicken, she plucked out of our backyard on Saturday and prepped out for cooking on Sunday. She always chose the back and neck of the chicken to eat herself. She said they were her favorite pieces, but we all knew she nibbled on them so others could have the choice pieces to eat.

    In summer, fresh corn and tomatoes often flanked our plates. A sweet, such as butter pound cake or a tangy lemon meringue pie, sat on the buffet, and there was potato salad. Always potato salad.  The best. Here is where I insert an old cliché: No one makes potato salad like my Mama.The making usually started the day before, particularly if it was for Sunday dinner. That allowed time for all the ingredients to meld together. Five pounds or so of white potatoes were first scrubbed as clean as a shiny nickel. Dropped into a large pot of cold water, she brought them to a gentle, rolling boil until ice pick tender, drained them, and left them to cool for a few hours before hand peeling them with a paring knife. Sometimes we would pull one out and eat it warm with butter or margarine for supper.  Meticulous for sure. Eggs were boiled in a separate pot and mashed with a fork. Celery, onion, spices, and dressings were added when everything was cooled. If you mixed it all together when the potatoes were warm, it ended up being mashed potato salad. Not perfect little bite sized pieces. This made an abundance of potato salad to fill her white Pyrex bowl. The white one with the turquoise Amish Butterprint pattern. I didn’t do much cooking growing up, but I watched everything she did. That’s how I learned. The kitchen was a happy space for Mama and our family.

    There were many days going forward the doctors and staff told us we would all have to wait and see. As therapy and healing began, the dead tissue on her tongue began to slough off. Mama had a feeding tube to keep her nourished, but she could not form words well enough to be understood. Her tongue was now less than half the size of normal. She lay in bed most days for therapy because her legs just didn’t work as before. Beads of sweat would roll out from underneath the helmet she wore to protect the brain where the piece of her skull was missing. She had use of her arms and hands. Enough so to wipe her own face and neck with a washcloth. And she could write. One of the therapists purchased a blue spiral bound classroom notebook with MUSC printed on the cover for her to write in so she could communicate her needs with staff and have brief conversations with family. I still have this notebook.

    The notebook was soon filled with sweet notes to the nurses who took care of her, asking for backrubs or ice chips or sips of water or some lotion for her delicate skin. A sponge bath was a luxury. She and Daddy exchanged questions about things back home, the children, grandchildren, and the weather outside. The notebook read more like a personal journal or diary because her thoughts and questions were perceived and answered verbally, not written in the notebook. Whenever I visited, we just shared moments of silence and tender space. She didn’t need to ask me much, and I would tend to personal needs she was too proud to ask the staff to do and tell her what she wanted to hear about life and her granddaughter, my daughter, Marybeth, her namesake. My mama’s name is Mary Alice.

    As the days and weeks moved on with Mama growing weaker, there was little to no talk of Mama returning to surgery to replace the portion of her missing skull. It all went by the wayside. According to her neurologist, she was not strong enough to undergo another surgical procedure under lengthy anesthesia, and there was still a small amount of swelling in the brain. It was just the facts. The most we hoped for was that she could get strong enough to go home to be cared for. Thanksgiving Day came around and we spent as much time with her as she could tolerate. She was essentially living her day-to-day life in a private room in the hospital. They had given her one of the spacious “suites” on the upper floors at MUSC Hospital. Family and visitors were allowed to come and go at will. The staff was gracious, as they loved her as much as she loved them.

    Daddy received a call from the hospital a few days after that Thanksgiving visit, telling him Mama had experienced a cardiac arrest. Resuscitation was successful in getting her heart started again, but her brain had taken a beating and sustained more damage from lack of oxygen for a minimum of twenty minutes, maybe longer. They were not sure how long she had been unconscious because she was not on a cardiac monitor. She was now intubated again and on life support. There had been no “Do not resuscitate” order because we never expected her not to recover enough to leave the hospital. While her body experienced involuntary movement at times, it was doubtful she could hear, and brain activity was really nonexistent. Doctors were just prolonging the inevitable until we could all visit.  One of her very last entries she wrote in her notebook before this episode was, “I’ve had love, gave all that I could, and don’t feel I have left anything undone.” Mama was tired and she was letting us know she would be okay in her next life.

    Five days before Christmas, Mama died. She was sixty-seven. I was twenty-nine. Daddy and mama’s brother drove down to Charleston to see her, and while there, agreed to a palliative extubation, a gentle way of saying “pull the plug.”  Two hours after Daddy arrived home and told me what had occurred, Mama took her last breath, around midnight. She was never a night owl, but perhaps got her bird wings that night. She died alone. I didn’t get a chance to be with her, touch her, tell her I loved her, and that it was okay to let go of this life, but I had twenty-nine years of memories and that would have to do.

    Mama loved her church, First United Methodist, the big white one on the corner of Fifth Avenue and Main Street in Conway, as some townsfolk would refer to it, and it was where she was funeralized on December 22, 1989. She had been a member since she was a little girl. The sanctuary was all decked out for the season of Advent. Advent, the four weeks Christians observe leading up to Christmas Day. Traditional potted red poinsettias wrapped in gold paper, lined up in rows like soldiers, took space behind the alter. Two massively tall, sticky, cedar Christmas trees from Booth’s Christmas Tree Farm hugged each corner on either side of the alter railing. You needed a ten-foot-tall step ladder to reach the top. One tree was dressed in traditional red bows and white doves, descending, wings spread wide. The other, adorned with gold and white Chrismon ornaments, (the word Christ and monogram combined) symbols that visually tell the story of Jesus: stars, crosses, fish, Greek symbols, etc. A visual reminder of faith. Mama had faith and it was always good.

    We buried her fragile body in Hillcrest Cemetery in a plot Daddy purchased years before in the veteran’s section for the two of them to rest side-by-side one day, hopefully in peace. The sky, a glorious Carolina clear blue that day and not a cloud in sight. The air, blustery and cold. I rode in the front seat of the funeral car, my Granny’s handkerchief waded up in the palm of my tight fist. I don’t remember much after that. I guess we went home and ate some more funeral food. There was probably potato salad and fried chicken that day lovingly prepared by a church lady friend.

      In the midst of all the glitter and trappings of the Christmas season, I felt alone. Sadly alone.   I feel I was never allowed the time and space to grieve properly. That period in my life was overshadowed by the holidays and a flurry of activities around motherhood in general. My daughter Marybeth was two. Suddenly, I was that motherless child in my circle of friends with excited children and parents. But I wasn’t one of those parents. It was Christmas and children needed Christmas everything, I suppose. But having a very young child eased that burden for me: one of surprise and Santa and a perfect day because Marybeth most likely wouldn’t understand what the fuss over Christmas was all about anyway. There were cookie parties and drop-ins, and life didn’t miss a beat. For others, that is. There was no time for grieving anymore.

    Years later, not taking time to properly grieve caught up with me and I finally processed most of the grief over a period of ten years, but sometimes I was not a happy, pleasant person to be around. I would save my tears for the shower. Pound out my anger on the tile walls. People would tell me over and over again that Mama was in a better place. Better than what, I don’t know. I only know she was gone from me. I grieved over loss, time I never had with her, my hate for Mother’s Day because I had no mother, but most of all, grief over the fact my daughters (the second born four years later) never knew this wonderful woman who gave thought to all the ingredients of life, simple as they were, and mashed them all up together, fixin’ a life that was simply beautiful. How would I keep the memory of her alive in my daughter and any future children? I owed it to them to be in the present as their mother. Not just my Mama’s grieving daughter. Older now, and a grandmother, I have often heard that grief is the price you pay for loving someone and I would never choose to not love. But grief is hard, very hard. Now, I take solace in those precious memories and create new ones as often as I can with my little family.

    As I write this, it is the year 2025 and I am in graduate school. Occasionally, I visit one particular dining hall for lunch while on campus. Making my way through the line to the salad bar one day, I spotted a lovely tray of potato salad, obviously not poured out of a giant tub from a deli or institutional food service. It was perfect, if potato salad can be perfect. Perfect in its presentation sitting in the cold stainless-steel rectangular tub. Was it homemade? I wondered to myself. There it sat, perfectly rounded amongst the bulk of mixed lettuces and salad fixings, and it beckoned to me to taste it. I relented. Meticulously, delicately, I scooped a small amount — a tad really — onto a plate because my recent bloodwork told me I should not eat large amounts of potatoes at one sitting. With the first bite I knew it was homemade. I thought to myself: who is the precious soul who made this potato salad. It’s just like my mama’s.

    Finishing my lunch, I went back for more, and there stood Diane, tending the salad bar. At the time, I didn’t know her name, but I knew her. Her. As in, she was that precious soul. The potato salad maker. I had a sense. We exchanged greetings and I told her I came back for another helping that it was so, so good. So super good. “I made it,” she said. But I already knew she did.  I told her how much it tasted like my mama’s. It was at that moment I knew she had been making it long before she made it for all these athletes and students. I knew, that in her own kitchen at home, she added all the ingredients of love and cups of care, adding dashes and sprinkles of joy as she did so.

    I touched her arm when I thanked her. It was soft. Brown. I wanted to hug her. To grab her and hold her as if she was my own mama. To feel her arms around me and feel her soft body pressing into mine, holding me tight like a mama would. I wanted time to stop. I wanted to go home with her and watch her make potato salad. I wanted her to be my mama if only for a moment. I wanted to breathe in the lingering aromas of past meals in her kitchen. I wanted to sit at her table and talk about old times.

    Back to center, I decided to throw caution to the wind and filled a small melamine white plate with as much potato salad as my eyes-bigger-than-my-stomach could fill. I didn’t at all experience gluttony guilt. My blood sugar would spike, I would feel euphoric, and all would be right in the world for those few brief moments. I didn’t care about my blood sugar. I needed affirmation.

    Refilling my water glass, plate in hand, I walked back to the café table, sat, and sighed deeply. Lifting my fork, I took in the first bite as if it were my last. I savored each one. Every seasoning of life. Every ingredient: The Irish potatoes from my mother’s childhood. The eggs plucked from under the fickle hens in our chicken coop. Crisp, green celery, purchased at the Piggly Wiggly, perfectly and evenly chopped into the tiniest of blocks. Sweet onions, grated for their depth of flavor and all the layers. The perfect shake of Worcestershire sauce and Texas Pete and just the right size squeeze of French’s yellow mustard.  Relish ground from homemade bread and butter pickles. Peppercorns finely crushed. The turn of the wrist by the salt of the earth, Mama, as dollops of Duke’s mayonnaise and Miracle Whip salad dressings swirled it all together.

    Sitting in the midst of noisy, chatty college students, close to my age when my mother had her first surgery, I began to weep, tears rolling down my cheeks into the plate of potato salad. I wept for my mama. I wept for myself and my children who never knew my mama, the saint she was. I wept for those with no mama. Most of all, I wept for Diane and all the mamas who tend their flock and feed them potato salad, have had love, gave all that they could, and feel they have left nothing undone in this life. I wept for the joyous fact my mama lives on in the spirit of women, like Diane, who labor for those they love, because no one can make potato salad like my mama.


    Amy Alexandra Singleton is a writer of nonfiction, middle grade/young adult fiction, and poetry. Raised in rural South Carolina, she embraces her sense of place by sharing personal stories, with the promise and hope of inspiring others to value their own storytelling as a vehicle for preserving history and leaving a legacy.


    Amy holds a BA and a Master of Arts in Writing from Coastal Carolina University, where she was nonfiction editor of Waccamaw literary journal. Her photography has appeared in Archarios, a literary and art publication on campus. Locally, she facilitated workshops in Duke University’s “Transform Your Health: Write to Heal,” and aspires to teach composition and writing in higher academia.

  • As She Lay Dying

    by Joe Oestreich


    My grandma Esther is laid out in a casket, riding in the open bed of a pick-up. My uncles, her sons, are driving her body from Milwaukee to the Upper Peninsula to make good on a promise.

    It’s 1982. February. The funeral took place this morning. Now it’s early afternoon, and the Wisconsin dusk has already descended. Uncle Rich sits in the drivers’ seat, a Schlitz tucked in his crotch. He drapes one calloused hand over the wheel. With the other, he works the gear shifter that extends from the steering column. The truck tops out at three speeds: three on the tree. Rich downshifts to second and swings left across the snow-blown double yellow to pass a slow-moving farm vehicle. He’s a mechanic for Harley-Davidson, and this is his deer hunting truck. Rich knows these country roads. He knows which double lines are rules and which are merely suggestions. Safely back in the right lane, he drains the last of his beer.

    Over on the passenger side sits Uncle Jim. He’s a Milwaukee County sheriff’s deputy. On the floor, between his boots, rests an open 12-pack. He bends down for two more Schlitzs, then pries away the detachable pull-tabs, the sharp, summertime kind that teach you to watch your step when you’re walking barefoot. He exchanges full cans for drained ones. Drops the tabs into the empties and sets them on the muddy floor mats. He stomps with a boot to crush the cans flat, but then Rich picks that moment to downshift for another pass, causing the empties to topple over. Jim wings one can lopsided. He bends forward and plucks it up as the uncrushed can rolls under the seat, lost somewhere among the lures and bobbers and buck-shot cartridges.

    Normally, like say on a trip up to the cabin in Hurley, my uncles would just slide open the screen behind their heads and drop the empty cans into the truck bed. Or, if they’d already had a few, maybe they’d fire the cans out the window and see how many they could land in back. Given the effects of wind speed and aerodynamics on the trajectory of empty aluminum, they’d miss far more often than they’d hit, the cans sparking against the pavement and bounding toward a resting place on the side of the road—dead soldiers left to rust among the hubcaps and hamburger wrappers.

    But tonight Rich and Jim do not toss the empties into the bed. Tonight the cans stay up front. Because tonight Esther’s riding in the back.

    My mom told me this tale many times, the version she heard from her brothers. But I’ll be honest. I can’t say for sure if my uncles were drinking Schlitz. I don’t know if Rich crossed the double yellows. I don’t know if Jim dropped the pull tabs into the empty cans. I would love to know, believe me. But there’s nobody of that generation alive to ask. Jim died in 2016, Rich in 2021. In the early months of the pandemic, my mom succumbed to covid, coupled with dementia. I’ll have to do my best with the secondhand story.

    My grandma, Esther Roth (née Mattson), died when I was twelve. I didn’t know her well. My family would sometimes visit her on our Christmas trips from Ohio to Wisconsin, but my sister Jill and I had only ever met the old and senile Esther. She too suffered from dementia, probably Alzheimer’s, as my mom would later—and as I might eventually. But there was no definitive diagnosis. Getting a little diddly, was how my mom described her mom.

    Jill and I were scared of Esther. She was frightening to us the way all strangers are, but especially bent, wrinkled strangers. When you’re a kid, old people are the nightmare versions of your parents. As you grow older, your parents become the nightmare versions of you.

    Esther was family, but she hardly seemed like a grandma, at least according to my limited, Hallmark-card understanding of the word. My grandma was Frances, my dad’s mom. She lived with Grandpa Ruben in Watertown, fifty miles west of Milwaukee. Frances baked meringue pies and preserved raspberries in Ball Jars and set out crystal bowls of butter mints on chenille doilies. Frances and Ruben weren’t wealthy by any stretch, but they lived in a proper house. With a proper backyard. A driveway that boasted a proper sedan.

    Esther lived in Arlington Court, a round, 24-story tower run by the Milwaukee Housing Authority to serve low-income seniors. I was always nervous riding the elevator to her floor. The building smelled like an unholy mix of institutional food and urine. Embarrassingly late into my twenties, I moved into an apartment that reeked like Esther’s home. A friend of mine said it smelled like prison. Old folks’ homes and prisons: places where days/months/years are constantly inventoried. But prisoners and old folks count in opposite directions.  

    Sometimes Esther would take the bus to Chicago to bet the ponies at Arlington Park. A first generation American, she was blessed with old-country intuition, passed down from her Finnish ancestors. She knew what to look for in a horse: one that had just taken a big, gushing piss.  

    There’s probably no data to support her equine urine theory, but Esther won more than she lost. Trouble was, even after she’d cashed in her tickets and ridden the bus home to Milwaukee, those ancestors were still speaking to her. Poltergeists are coming to steal your money, Esther, they’d say. Hide your winnings. She’d hide the cash well. Too well. So well that even she couldn’t find it. Blame the actual poltergeist, that little mischief-maker named Alzheimer’s.

    In Ohio, our phone would ring. Esther calling in a teary panic about the lost money. She’d stashed it in the laundry hamper. Now it was gone. Over the phone my mom would help her search. Have you looked in your shoes, mom? Have you checked the cereal boxes? Sometimes Esther found the cash. Sometimes she didn’t. In those cases, who knows? Maybe there were no winnings to begin with.

    Every so often, there’d be a span of several weeks where we’d get no calls from Esther at all. Mom would find out later that the poltergeists had stolen her phone.

    Esther’s service is my first funeral, my first glimpse of a dead body. Here in the mortuary everything is old and worn. Chipped veneer and frayed particleboard. Reminders that nothing lasts.

    My only dress-up outfit is a remnant from last Easter, a navy blue three-piece that’s already too small. Tie: clip-on. Pants: floods, revealing two inches of tube sock. Feels like I’m wearing a Halloween costume. Strangers smelling of mothballs and cedar tussle my hair. Plastic combs with missing teeth peek from the pockets of Sears dress shirts. Lee press-on nails tear through Naugahyde purses, digging for cigarette cases. Ancient, Aqua-netted women sit alone on folding chairs, their spotted hands running rosary laps.

    I don’t know these people, but everyone seems to know me. My mom makes the introductions. This is your cousin. This is your auntie. Everyone says how strong Esther was. How funny she was. How beautiful she looks now, inside the casket. Not to me, she doesn’t. She’s too white. Too made up. Too dead.

    The priest works the room, oozing conviction. Another day at the office. As he glides by, his robes stir the air with incense and cologne. It smells like mass—if mass were held at the perfume counter at JC Penney’s. He extends a comforting arm around my mom. “Ashes to Ashes,” he sighs. I assume he’s talking about the crowd out in the lobby, huddled around the ashtray. In here, everything is smoke. We’re all drifting toward the heavens, some of us faster than others.

    Afterwards, my mom and dad are hustling Jill and me across the snowy parking lot, when something catches his attention. He looks off in the distance and waves his hand. “Goodbye Esther.”

    “What do you mean?” asks my mom.

    “The casket’s right there.” Dad lifts Jill to his shoulders so she can see. “In the bed of that truck.”

    In the photograph that hung for years in my mom’s foyer, Esther is young and hearty. Tall with a high forehead and Scandinavian cheekbones. That Esther’s frozen in time, forty years from the stooped, senile woman I almost knew. Next to her sits my grandfather, an abusive alcoholic who made Esther and my uncles pay for whatever shitty deal life had dealt him. After chasing his frustration with Old Fashioneds, his mechanic’s hands would go work on his wife. Then on his sons. According to my mom, he’d pull Rich, Jim, and their brother Fred one at a time into a room. Through the door, she could hear the slaps, the punches, the tears. 

    Then he’d call my mom inside. But he never hurt her, never struck her. She was Daddy’s favorite. “Mary Anne is little and petite,” he’d often say, ignoring the redundancy—or perhaps using it purposely to reinforce his point.

    Esther fought back, sometimes physically, but there was no winning. So she took all the kids north to the U.P., to Bessemer, Michigan, to stay with her Mattson relatives. They didn’t return to Milwaukee for nearly a year, but they did return. Esther had no real choice. Catholic marriage was for life. She needed to believe my grandfather would change. Maybe she could change him. Or maybe in time he’d change himself. For the kids, a lousy father was better than none.

    He ultimately settled things by dying of a heart attack when my mom was thirteen.

    Esther made her children promise that when she died, they would not bury her in the Milwaukee cemetery next to their father. No way would she spend eternity next to that man. “Take me up to Bessemer,” she said.

    They’ve polished off the beers, so Rich and Jim stop at a package store for a pint of brandy. They joke that they should pick up a hitchhiker, somebody to chip in for gas. Where ya headed? I s’pose we can get you most of the way. So long as you don’t mind riding in the back with our ma.

    The last time I saw Uncle Rich was thirty-something years ago, in the late ‘90s. I sat at his dining table with my mom, Jill, and my girlfriend Kate, who’d eventually agree to marry me despite the odd ducks that populate my family. I looked up at the buck heads mounted to the walls. Behind my chair sat a freezer, loaded, Rich told us, with venison. It had been a good season. The freezer was packed with tenderloin and backstrap. Round, shank, and sausage. He’d set a plate of that sausage out for us, along with cheese and crackers.

    “You know my little dog?” Rich said to my mom. “My little Chihuahua?” He told us that the dog had recently died. “She was my girl.” He looked sad—justifiably and appropriately. But it was weird seeing Uncle Rich sad. He was always smiling, always laughing.

    And now, as if on cue, he chuckled, then told us about the promise he’d made to the dog in the days before she died. “I told her I’d never let one speck of dirt touch her,” he said. “Not one. Never.”

    My mom nibbled a cracker. “So how’d you bury her, then?”

    “I didn’t bury her,” Rich said. “No dirt, like I said.”

    Suddenly I had a vision of Rich elbows deep in DIY taxidermy. I looked around the room for a stuffed Chihuahua.

    But Rich didn’t have his girl preserved, or, God forbid, mounted. He told us that right now, as we spoke, he was storing her in the freezer.

    I reached back, pointed to the appliance behind me. “This freezer right here?”

    “Yep,” he said, smiling. “She’s tucked in with the venison steaks.”

    My mom almost spit her cracker laughing. “How long are you going to leave her there?”

    “’Til the freezer conks out or I drop dead.” He walked over to the unit. “I’ve got her wrapped in her favorite blanket.” He cracked open the door. “You want to see?”

    Last summer, Kate and I, and our kids—fifteen and thirteen—drove from our home in South Carolina up to Wisconsin. The plan was to make our own trek through the Badger State north to the U.P. The optics were very different from the drive Rich and Jim made forty-three years earlier. No truck. No casket, obviously. Instead, a Subaru Outback with a Thule roof carrier loaded with tents and sleeping bags.  

    On the way, we camped in Baraboo, where my cousin Becky, Uncle Jim’s daughter, lives. Every family has that one person who researches the genealogy, goes all-in on ancestry. In the Roth family, that’s Becky. She showed me copies of all kinds of records: Esther’s birth certificate from 1906, Esther’s father’s death certificate from 1921, a news article mentioning Esther’s mother’s death in 1933. Becky sent me an article about our great-great grandpa on my mom’s father’s side, who, it turns out, was some sort of Milwaukee pickle magnate. She texted me cemetery names and Google-map pins. Kate, the kids, and I found Esther’s parents’ headstone in Bessemer. We found Uncle Rich’s gravesite in Cornucopia, Wisconsin.

    As genealogically savvy as Becky is, there was one piece of information she didn’t know and couldn’t unearth: the location of Esther’s grave. Becky assumes Esther’s buried in the U.P., but she can’t determine where. Uncle Rich’s son Fred is pretty sure Esther was interred in Milwaukee after all, despite the promise. His brother, Richie, thinks she’s in the U.P. None of my cousins, nor I, can track down the obituary that might provide a clue. Everybody agrees that the casket-in-the-truck trip happened, but nobody knows for sure if that trip to Bessemer resulted in the actual burial.

    Here’s what I know: I trust my mom. Before dementia stole her memory, she knew the truth. And she told me what happened. So let’s finish her story. 

    It’s evening when Rich and Jim arrive in Bessemer. Fully dark. Even colder, even snowier, than down in Milwaukee. But my uncles’ work isn’t quite finished. Before settling in at the motel, they drive around town, stopping by the homes of cousins and second cousins, friends and neighbors, any house they remember and any house that might remember them.

    Half-drunk, they stumble up icy front steps. Hats in hand, they knock on doors. 

    “We’re Esther Mattson’s boys,” Uncle Jim, the Sheriff’s deputy, says. “Sorry to bother you so late, but we’ve got some sad news.”

    “She’s right out here in the truck.” Rich points toward the street. “You want to say goodbye?”

    Esther can’t be buried. Not in the Upper Peninsula in February. The earth is hard-frozen, and spring, well, spring’s like a twenty-point buck: it’s not that people doubt its existence, but it’s been a damn long time since anybody’s seen one, and nobody’s holding out hope of it coming around soon. So tomorrow, they’ll drop off Esther at the receiving vault (a.k.a. “the dead house”) where she’ll wait until the ground thaws enough for the grave to be dug. Could be April. Could be May.

    Tonight, after they’ve rung the bells, knocked on the doors, and taken their mother on her last tour of the town, they check into the motel. Jim takes a final swig of brandy before bed.

    Rich says, “Let me see that.” But he doesn’t drink. Instead he replaces the cap. Pulls the comforter off one of the beds and drapes it over his shoulder. He opens the front door to the frosty night.

    “Where you going?” Jim says.

    “Taking this stuff out to her,” Rich says. “In case she gets cold.”

    And he walks outside to the truck. He lays the blanket carefully over the casket. Sets the brandy on top. “Goodnight, ma,” he says, tapping the box. “Rest well.”


    Joe Oestreich is the 2025 Elizabeth Boatwright Coker Fellow in Fiction from the South Carolina Academy of Authors and the author of four books of creative nonfiction, including Hitless Wonder: A Life in Minor League Rock and Roll. His work has appeared in Esquire, Sports Illustrated, Salon, Creative Nonfiction, River Teeth, Ninth Letter, The Normal School, and many other magazines and journals. Four of his pieces have been cited as notable in the Best American series, and he’s received special mention twice in the Pushcart Prize anthology. He teaches creative writing at Coastal Carolina University

  • mississippi choir boy sings his last sunday

    by Eve Devera


    at mississippi baptist there’s a boy with long eyelashes.
    when you pass him the offering bucket,
    his fingers linger on yours. he’s the preacher’s boy,
    but he leaves the pew early and his shadow hangs
    in the hot air like breath in prayer against your neck.
    you hold a post-service picnic by the dumpster
    where sin has never been so sweet, and he calls you his choir boy
    in the drawl of lazy summer air. you want to make him smile,
    so you steal the grape juice, set the jug to his lips,
    watch him bare his throat and drink it down.

    now, choir boy, don’t lose yourself in the revels
    of another smooth-talking pastor’s son. the sun
    will always set, and this lesson is one you’ve learned,
    but soon the sky darkens and you’re late to dinner.
    the table is empty and daddy waits at the door.
    he’s a man of his word with brimstone in his back pocket.
    he’s a snake crusher in a pair of steel-toes.
    he’s a bible thumper who doles out beatings
    with an arm that doesn’t tire till you see jesus,
    and you see him every sunday. do not lie to a man,
    or his belt will rain thunder down your back.

    sing, choir boy, let them hear you repent.
    let them hear your hymns and let your father forgive you.
    tear leviticus out in sheets, lie on the pages so the ink
    will stain your skin and soothe the welts. do this
    but know that your eye will forever be drawn
    to the beautiful boy with the forbidden mouth.
    he eats an apple before the next sermon
    and winks when you see him in the foyer,
    nods an invite to the back lot garden to feast on figs
    and sit in the shadows of the trees of eden.

    remember, choir boy, jesus didn’t flinch at the sound
    of those footsteps. but this patch of weeds is godless,
    so it’s a last kiss on the cheek as the lights of the mob
    come bobbing behind the church. judas lopes away,
    but your feet tangle in the threads of transgression
    and you stumble. they’re on you like stones
    and there’s no one to draw in the sand for you,
    choir boy, only the marks that your thrashing and wailing
    leave scuffed in the dirt. they used to call you angelic
    when you warbled your tunes, but now your body’s in the ditch
    with angel robes stained bloody at the hem.

    oh, choir boy, sing a little longer.
    spread your wings and fly past the dregs
    of mississippi to a place where they’ll look up
    to hear your song trickle through the clouds.
    one more hymn, choir boy, one more hymn
    for all the boys with broken halos
    who find themselves face-down in the mud.


    Eve Devera is an undergraduate writer from Charleston, South Carolina studying Management at Charleston Southern University. She enjoys crafting poetry that balances sound and rhythm with vivid storytelling, right down to the particulars. Her work can be found in Olive & Ash, for which she also currently serves as Editor-in-Chief. 

  • we are the best lie i’ve ever told

    by Isabella Ayers


    i love a man who takes what he wants,
    i leave my body so you can use it.
    have your fun. I’m listening to the cicadas
    and trying not to taste you.
    i’m making constellations
    in the popcorn ceiling
    and waiting for my cigarette.
    i’ll be okay. if not now, soon.
    i just have to wait until winter,
    wait for snow.

    maybe that night you will taste like magic
    and my doubt will drain
    like blood from a stone. make me clean
    as the white sheets that do not
    yet hold our footprints.

    for tonight, the air is too humid for you to hold me.
    the power is out, the fireflies waltz
    in the absence of street lamps.
    we do not watch.


    Isabella Ayers is a biochemistry major at Charleston Southern University seeking to pursue a poetry MFA upon graduation. She is highly involved in creative writing communities on campus as an editor for Olive & Ash magazine and a board member of Writer’s Guild. She has been published multiple times in Olive & Ash and received the annual Gilmore Creative Writing award for her work. In her spare time, she sings in an Orthodox church choir, wanders aimlessly in dense forests at night, and collects the bones of dead animals. 

  • I think I hate Charleston—

    by Patrick Adkins


    it turned me bitter to the taste of lakewater,
    flattened my love for even weather,
    killed Charlie Hall and left his ghost
    wandering the green screen,
    while the meteorologist lies
    with the same face he used in church.

    Charleston is a mean trick:
    made me despise Maryland crab cakes
    just to come crawling back
    for a cracked blue shell,
    the soft molted ones,
    the delicate, defenseless ones
    whose backs burst like promises—
    offered up to the river gods of Wando,
    those scaled oracles,
    who return the favor
    by curling their tails
    into fry baskets,
    feeding the low-country faithful
    like communion.

    I hate how Charleston taught me
    not to fear the wilderness,
    how to dance with a hurricane—
    pressed to the sheetrock,
    while God, that old carnie,
    grins and slaps the button
    on the Gravitron of the mid-Atlantic.

    It confused my body into longing:
    for salt behind the ears,
    for pluff mud caked
    beneath the nails,
    between the toes,
    a perfume of mildew and memory.

    and
    Bushee Park,
    where the Cooper splits clean through—
    a delta of blood,
    of runoff and regret.

    I hate how everybody loves shrimp and grits now.
    I hate how they shut down Justine’s.
    I won’t touch another pecan
    until I taste her chicken again.


    Patrick Adkins was born and raised in Charleston, South Carolina. He now lives in Aiken, South Carolina with his wife, Dr. Chloe Adkins, and their son, Ambrose. His writing often blends the familiar and the surreal, exploring the strange edges of ordinary life.

  • Great Blue

    by Deirdre Garr Johns



    Deirdre Garr Johns is the author of the children’s book Weathering the Storm (Palmetto Publishing, 2024) and poetry chapbook, Fallen Love (Finishing Line Press, 2025). Her work is inspired by memories of people and places. Nature is an inspiration for her writing. Deirdre’s work has appeared in SylviaMagazine, South Carolina Bards Poetry Anthology, Eunoia Magazine, Nymeria Magazine, Silver Birch Press, Stone Poetry Quarterly, Sasee Magazine, and more. She participated in the Tupelo Press 30/30 Project in March of 2025. Deirdre’s website is www.amuseofonesown.com.

  • Sullivan’s Island

    by Jennifer Davis Michael


    Those images that yet
    Fresh images beget,
    That dolphin-torn, that gong-tormented sea.

    –Yeats, “Byzantium”


    I’m walking this Carolina beach
    so different from the Gulf ones I know well

    –wide, level, brown sand here,
    lank-ribbed like the Ancient Mariner,
    weird holes bubbling on its surface.

    No trace here of the uncounted slaves
    quarantined in this port, held
    in the hulls of skeleton ships,
    discharged into further blood and mire.

    A tall young woman flows toward me
    in a dress too refined for the beach,
    breathless: “Did you see the dolphin?!”
    I follow her pointing finger, shake my head.

    Still, I squint at the dazzling water.
    She turns back, points again. “There it is!
    Do you see it?” I spot what might be
    a flash of smooth flesh above the surface,
    or maybe just sunlight on rippling waves.

    But I say Yes to the exchange
    of wonder. An image
    only real if shared. The tearing
    of my eyes from the wormholes,
    the dancing floor below my feet,
    and everything that lies below the sand.


    Jennifer Davis Michael is a professor of English and Creative Writing at the University of the South in Sewanee, Tennessee, with a focus on British Romanticism and especially Wiliam Blake. Her poem “Forty Trochees” was selected by Rachel Hadas for the Frost Farm Prize in Metrical Poetry (2020). She is the author of two poetry chapbooks, Let Me Let Go and Dubious Breath, as well as a critical monograph, Blake and the City.