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  • Sirens

    by Dylan Hopper


    She found Cali standing barefoot on the landing of the rusted billboard again. This was their spot, overlooking a pond to the north and tall enough to peek over the trees that lined the  highway to the south. She was a vibrant oddity against the double-sided, sun-blanched  advertisement for Mac’s BBQ Farm. The grinning pig logo appeared menacing, colorless as a  skull, peeling from the bottom as if trying to reach out and caress her legs.  

    Cali was dressed in the baby pink, silk kimono she had stolen from a vintage shop down  by the pier. It caught in the warm breeze and danced around her as she moved closer to the edge  and waved. She kneeled near the top of the ladder, pink silk rising with the wind and spreading  out behind her. Her floor-length skirt seemed an imitation of her mermaid’s iridescent fin, fitting  tight over her hips and tapering in at the ankles. She exuded kindness in her careful movements,  so deliberately fluid, it often seemed as if she was still moving through the water. In many ways,  Cali never left the observation tank, and in many ways, neither did Mara.  

    When she reached the base of the billboard’s ladder, Mara climbed. Cali offered her hand  to her on the last two steps. On the landing, they moved to the edge closest to the pond and sat  side by side.  

    Cali stared into the water below. A cypress knee poked through the center of the pond; a  white crane stood atop it on one leg. “Do you ever get that strange urge to jump?” she asked. 

    “L’appel du vide,” Mara said. “It usually only hits me when we start to climb down.”

    Cali scoffed. “Okay, you know I didn’t have a Cajun granny, so you’re going to have to  tell me what the hell that means.”  

    “Means the call of the void,” Mara said.  

    Cali laughed and said, “Trust the French to have a phrase for everything.” 

    A bloated shadow moved beneath the surface of the water. Mara thought of David, of his  blank, fish-like eyes. The memory of his lingering gaze evoked a primal sense of dread and  though it was well over ninety degrees and muggy, her skin pimpled with goosebumps. She  knew Cali was thinking of him, too.  

    “I feel the call of the void all the time now. It’s as if the universe is begging me to do  something reckless,” Cali said.  

    “Like punch David in the face?” Mara asked, grinning.  

    “I don’t know what I’ll do when I see him,” she said, pulling the sides of her kimono in  around her. “Can’t we just mail our resignation letters?” 

    David had been particularly vicious with Cali lately. She had fallen from his good graces  ever since her hair became algae-tinted from the motel pool’s acidic levels of chlorine. Whenever  he spotted her, he called in a cruel, carnival-barker voice, Come one, come all! Witness Medusa  underwater! She can make a man hard with a single look! 

    “We gotta finish this show,” Mara said. “Get our last paycheck from him. After that, I  promise we’ll get on the road.”  

    Cali nodded. Below, an alligator bobbed and broke the pond’s surface. It opened its  mouth wide, as if in a yawn. It paused, jaws agape. Mara imagined its teeth more menacing than  its true nature, large and wicked sharp like pieces of glass.  

    Mara felt Cali’s eyes on her, watching her watch the alligator below. She thought of  David’s sweaty palms and unabashed leering. 

    “How much longer do we have?” she asked. 

    “Not long. Show’s at two.” 

    “We should go,” Mara said. 

    Cali nodded and rolled her skirt up around her thighs before finding footing on the ladder  and starting her descent.  

    Mara studied her, how easily her limbs acclimated to gravity’s pull and settled into that  sinking feeling. The wind lifted and her kimono fanned out behind her like a siren’s wings. For a  moment, she pictured an alternate reality, one where they covered their skin in feathers instead of  silicone scales, where they floated on air and never held their breath. A sudden urge to jump  called to her from somewhere below, the alligator or the shadow of a man reflected in the pond’s  surface. She gripped the warm, iron slats of the ladder and followed her, uneasy all the way down. 

    The back window of Cali’s white VW bug was obscured by their duffle bags, stacked on top of one another.  

    The car puttered to life, and they pulled out of the parking lot. The engine light flickered  on and off at the slightest rattle. In spite of the heat, December was a shell of a month, a  reverberation of Myrtle Beach’s typical activity. As they ambled along Ocean Boulevard toward  the aquarium in sparse traffic, Mara took in the strip malls of beach gear gift shops, seafood  restaurants, pancake houses, and mini-golf fun parks along the way as if for the first time,  knowing it would be the last. Though they only lived here for six months, Mara felt some  fondness for the cheap and desolate star-spangled charm of this town. She committed to memory  the amalgamation of stores with their American flags cradled in dark gravel parking lots like  oysters in a marsh-bed. The Pearl: Surf Shop had wrapped Christmas lights around the lobster  head mannequin in its display window. Even the local scammers seemed to be in the spirit, green  and red spotlights illuminated an advertisement for $20 Helicopter Rides!

    The aquarium was visible from the main road, the far left side of the building marked by  a monstrous metal fin, the main entrance sheltered within the mouth of a reconstructed shark’s  head. During the summer, kids loved to run between the pillars of teeth lining its bottom jaw, but  today, the parking lot was almost empty. They pulled in their designated employee space and  locked the car. 

    “Ready?” Mara asked.  

    Cali nodded, twisting the tails of her kimono in her fists. Mara slung her arm around her  shoulders and squeezed. Together, they walked over the glimmering concrete and into the  aquarium. The shark’s glass-door mouth swallowed them whole.  

    David was absent when they arrived in the lobby, but the sharp alcoholic scent of his  cologne lingered in the staff-only hallways and in their dressing room, a mist that promised a  full-bodied apparition. 

    They sat at their vanities and applied their waterproof makeup. A ritual in transformation,  they fulfilled David’s vision for mermaids and became little Marilyn Monroes with fins. Cali  painted a beauty mark in the top right corner of her cheek. Mara stained her mouth bright red.  

    On the observation deck, they sat and rubbed Vaseline on their legs. With skin slippery  against the grated, metal runway, they wriggled into their mermaid tails. The tank beneath them  was a perfect oval and reminded Mara of a great monocled eye peering up at them, as expectant  as the audience below. The void called to her here, too. The water smacked against the confines  of the tank, rippling in an eternal simulation of current and tugging at that reckless urge inside  her chest. She heard in the whining trill of the industrial water filtration system, in the hiss of the  exposed pipes, in the buzz of the overhead spotlights, an irresistible harmony calling, Dive, dive! 

    With their legs bound in silicone, they slithered toward the water and lowered their  bodies into the overhang net.  

    David’s voice boomed, omniscient from the intercoms above and from the speakers  below deck, “Please put your hands together and welcome our two real life mermaids!”  Submerging was as simple as walking through a door, now. The water, a warm and  uterine-like fluid, cradled their bodies, soothing them into a space between reality and void. The  fish, a haze of color, brushed across their armpits and exposed abdomens. They embodied myth,  suppressing the natural instinct to breathe, feigning serenity. With a practiced motion of their  poised fins, they shaped hearts out of bubbles, and with twin winks, pushed their hearts toward  the blurred image of a woman behind the glass. Mara imagined she was like them, in love with  the idea of being in a different world. 

    In the dark of the observation room, the barrier between them seemed like a mirror.  Floating and posing together, their faces overlapped the woman’s in turn and perceptions  mingled. Without knowing who she was, they identified how she occupied the inside of her body.  They undulated their torsos, fluttered their tails. She knew what it meant to act in accordance  with the theatrics of living as a beautiful creature. They performed ease— low on oxygen, behind  passing sharks, even when the spectators could not see them.  

    They knew she executed transformative rituals to resemble fantasy, too.  

    Unable to speak, they fashioned their lips to the pre-recording and sang through David’s  loud speakers, gesturing to her, “Oh, we wish we could be like you!”  

    Breaking through the water’s surface and into the glare of the overhead lights ruptured  the illusion. They skinned the silicone fins from their legs, squeezed their hair free of salt water, wrapped towels around their torsos, headed back to their dressing room. Whether it was due to  placebo effect or lack of oxygen, Mara couldn’t say, but stripping free of the fantasy always left  an ache. The joy they portrayed underwater was never real, and yet, a sense of loss lingered  whenever they returned to their bipedal bodies.  

    Cali stared at her reflection in the dressing room mirror, adjusting and readjusting her  kimono.  

    “Hey,” Mara said. “Listen, why don’t you wait in the car? I’ll get our paychecks, give  David our letters.”  

    “No way, Mara,” she said, eyes wide. “I can’t leave you with him.”  

    “I’ll be okay,” Mara said, not knowing if it was true. “He’s been on your case more than  mine.”  

    She fisted the tails of her kimono, massaged over the thinning, silk fabric. “Are you  sure?” she said.  

    Mara fished the keys out of her tote bag and handed them to her. “If I’m not out in  twenty, come in and get me?”  

    Cali pulled her into a hug and squeezed tight before letting go.  

    It was customary at the end of two weeks to stop by David’s office and retrieve their  paychecks, but Mara had never done so alone. The hallway seemed longer than usual. The  barebones nature of the linoleum tile and exposed pipes, the hissing and grumbling sounds of the  water filtration systems reminded her of the phrase in the belly of the beast. If the aquarium was the shark, David was its stomach acid. Corrosive is an understatement, one of the scuba divers  once told Mara. A shark’s stomach acid is strong enough to dissolve metal.  At the door labeled, MANAGER, she stopped and knocked.  

    “Come in!” David called.  

    She took a deep breath, as if preparing to submerge, and opened the door. 

    “Ah,” he said, his mouth twitched as if repressing a frown. He rose from behind his desk  and gestured to the chair in front of him. “Just you today, honey? Where’s Medusa?” 

    “She’s not feeling well,” Mara said. She remained standing and used the chair as a barrier  between them. She was hyperaware of her limbs, of the tension coiled in her trembling hands. 

    “Seemed just fine to me when you gals were swimmin’ out there,” he said, opening a  drawer and sorting through papers.  

    “We’re paid to seem fine, aren’t we?” she asked.  

    He chuckled. “Speaking of pay,” he said, retrieving their checks and handing them to her. 

    She took their paychecks from his outstretched hand and shoved them into the bottom of  her bag. “David, I’ve got something for you, too,” she said. “Here are our letters of resignation,”  she said, placing the letters on the chair in front of her.  

    As if she hadn’t spoken, he stepped around his desk and said, “My first love, she was a  lot like you. She was a good girl, never wanted to say no to me.” With one foot, he nudged the  chair to the side. “Do you find it difficult to say no?”  

    One of his meaty hands circled her wrist, the other curled under her shirt and caressed her  bare stomach. David’s mouth spread into an ugly and open maw, emitting muffled phrases. She  felt as though she was underwater again, the pull of the artificial current pressing incessant around her, her heartbeat a steady drum dissolving his words into void. Beneath the surface, a  hum like the hissing of the water filtration system, a call from deep inside her body to do  something reckless.  

    “No!” she screamed, shoving him with all her strength and tearing away from his grasp.  His pot-bellied body wobbled and stumbled backward into his desk. Her legs carried her down  the hallway, the buzzing luminescence blurring the scene, her breath steady reverberations of no,  no, no. His heavy-footed gait echoed behind her.  

    She broke out of the shark’s glass-door mouth and ran through the parking lot. It was  dark out, but she spotted Cali under one of lights, leaning against the trunk, mermaid tails  clasped in her hands. When Cali spotted Mara, she raised her arms and waved the tails.  “Mara!” she called, grinning. “Look! Look!”  

    “Cali!” Mara said, panicked. “Get in the car!”  

    Mara looked over her shoulder at the aquarium’s entrance. The figure of a large man  strode out from between the shark’s teeth.  

    Mara grabbed the tails from Cali’s hands, yanked open the passenger-side door, and  shoved the tails into the backseat.  

    “Theft! Theft!” David’s voice boomed across the lot.  

    “We have to get out of here!” Mara said, climbing into the passenger seat and slamming  the door shut.  

    “Fuck!” Cali said, closing the driver’s side door and cranking the ignition.  Mara turned to look over her shoulder. One of the lot’s lights illuminated David as he unlocked his Ford truck and climbed inside. Cali shifted the car into drive. The tires squealed as  their car sped out of the parking lot and pulled onto the main road.  

    “What the hell happened?” Cali asked. “Did he touch you?”  

    “Why did you take the fins?” Mara asked, then stared at the reflection of his murky truck  headlights in her sideview mirror. “Cali— He’s following us.”  

    “I know, I know,” she said, making a sudden right turn without using her blinker. 

    Mara’s breath shuddered between her teeth. Her body was still shivering. 

    Cali made a sudden sharp left turn, narrowly escaping collision with oncoming traffic.  “Sorry,” she muttered, glancing again in her sideview mirror.

    “I took the fins because  they’re part of us, a part of our lives I didn’t want David to keep.”  

    Mara nodded. She wanted to tell Cali she understood, but before she could, a pair of truck  headlights appeared in their rearview mirrors, murky and unmistakably David’s. The truck  revved its engine, speeding up and riding so close to their bumper he nearly made impact. Cali  hissed and turned down another street before accelerating. Mara looked out the window. They  were on the highway along the marsh. Cali turned on her left blinker. He slowed. His truck’s left  turn signal blinked back at them.  

    “We can’t risk him colliding with us,” Cali said, staring straight ahead. “We can’t afford  another car, and it’s too dangerous to wait around on the bus when he’s looking for us.”  Her voice was unlike anything Mara ever heard, deep and tranquil as a monk’s.  Illuminated by the moon, the billboard rose from the marsh as tall and ominous as the cross.  “Get ready to climb,” she said. 

    A few feet from the base of the billboard, she yanked the car into park, ripped the keys  out of the ignition. Mara was the first to mount the ladder. She climbed, her limbs rising and  falling in a familiar mechanical motion. She stared and envisioned standing upon the platform  until she lifted her body onto it. She turned and peered down. Mara was right behind her, but the  unmistakable figure of David lumbered up after her. She reached out to her, and together, they  muscled Cali up onto the landing beside her.  

    “Come on,” Cali whispered. Holding hands, they rounded the billboard and thinned their  bodies against the pond-facing side. She leaned over and whispered in Mara’s ear, “L’appel du  vide.” 

    “Cali, no—”  

    The platform shook, and Cali drew her hand over Mara’s mouth. His steps reverberated  beneath their feet. His panting gave his position away. They heard him amble along, coming up  on their left. Cali let go of her hand and moved closer to his side. He stepped around the corner.  His gaze swept along the landing. She raised her arms, her kimono spreading out behind her like  a pair of deadly and beautiful wings, and dove upon him. Her fingers curved into talons and  clawed at his face. David’s mouth emitted a breathless sputter, and he stepped backward on  instinct. His foot slipped into open air. His arms flailed. His hands clenched wildly and closed  around a piece of Cali’s kimono. He rocked back against the void before succumbing to its call  and falling.  

    The thin silk stretched, and like the threads of a powerful current, pulled Cali toward the  edge. Time slowed, as if doused in buoyancy, the scene seemed to float around them. Mara  wrapped Cali in her arms and plunged them down onto the platform. She heard fabric tear free  from Cali’s body, an animalistic shriek. They peered through the spaces in the metal grates. 

    David’s body twitched and convulsed, punctured upon the cypress knee. In a stain of moonlight  nearly as bright as the aquarium’s industrial lamps, the feathered remains of Cali’s kimono  pooled around him, mimicking the blood seeping from his body. Mara and Cali squeezed each  other. An unmistakable splash rippled across the marsh, a scaled creature submerged into the  water below. 


    A queer writer and poet, Dylan Hopper (she/her) received her MFA from the University of Arkansas’ Program in Creative Writing and Translation in Fayetteville. Her poems are forthcoming in Querencia Press’ Scavengers. She once pretended to play bass in a punk band.

  • The Watchers

    by J.W. Gibeau


    “Jazzy, don’t throw that water out the door. You might anger the Watchers,” Mama yelled from the kitchen.

    Jazmine rolled her eyes and stopped just short of the door. She set the bucket down. Only a few inches of saltwater remained in the bucket from carrying the blue crabs.

    “I know,” Jazmine yelled back, and thought to herself, if the Watchers did exist, if they were really ghosts trapped on the island by the sea and time, why would throwing water out the door bother them?

    “If we had good plumbing like the Shelman’s do, or like they do off the island, we wouldn’t have to worry about it,” Jazmine said out loud but probably not loud enough for Mama to hear. 

    Jazmine left the bucket by the door and walked to her room. She shut the door behind her and walked to the corner shelf her older brother had built out of scrap plywood. He had found the wood down at the fishing docks and cut it into the shape of a violin with an electric saw he borrowed from the Shelman family, one of the wealthy families of the community. Wealthy in the sense that they had electricity, plumbing and a car to get around the island. Most everyone else walked or rode old bikes rusty from the salty, humid air. After Robbie cut the wood, he nailed two identical sections together at the corners to form a wedge, which would fit nicely into the corner of a room. Then he added three shelves. “One day, Jazzy, I’ll get you a real violin,” he said as he was hanging the violin shelf in Jazmine’s room. “Then you can take it down to the beach side and play for the dolphins. The shrimpers say the dolphins like music, and it’s true, I’ve seen them swim up to a boat to hear an old radio. They’re as smart as you and me, that’s what they say at least. And one day you can make music for them.”

    Robbie was true to his word. Below the shelf, a real violin rested on a stand. It was a Christmas gift mailed from somewhere in Oklahoma. Robbie lived on the mainland now. He worked for Sunshine Bread driving trucks. Jazmine and Mama seldom heard from him. Jazmine missed him.

    Jazmine never saw Mama cry when Robbie left, but she was quiet for three days, a sad quietness that seemed to spread through the older men and women of the island every time one of the young ones left. For years, Robbie had traveled by boat across the tidal river separating the island from the mainland and then got on a bus to reach the high school just like Jazmine did now, making the trip back and forth Monday through Friday except on holidays or when there was a storm. But after graduation, Robbie couldn’t find work. The shrimpers didn’t need help, there wasn’t any construction and the island only saw a handful of tourists. And when Robbie left, the population of the island dropped from 59 to 58. 

    Jazmine looked up at the corner shelf. On each shelf ledge sat a marsh grass doll. The top one was named Sasha. Mama had made Sasha for Jazmine when she was little, still running around barefoot and without a shirt. Jazmine remembered the vanilla smell of the sweetgrass Mama used. The sweetgrass was special, it grew in sandy areas just beyond where the cordgrass grew on the river side of the island. The girls made dolls from the grass while some of the adults hand-wove intricate baskets. “A direct link to Africa,” a young anthropologist who visited the island while researching for a book had told Jazmine and her mother. “The coil-on-coil tan and green sweetgrass patterns are a direct link to Africa brought by the first slaves,” he explained further.

    “We’re just doing what we seen our parents doing. That’s all,” Mama had said to the young man.

    Maddie sat on the middle shelf. Maddie was one of the first dolls Jazmine made on her own. Poor Maddie had no eyes, and the grass used for her arms and legs was frayed and broken. When she was a child, Jazmine slept with that doll and carried her just about everywhere she went, except to the First African Baptist Church on Sundays. Mama wouldn’t stand for that.

    On the bottom shelf sat Anaya, the last grass doll Jazmine made before she grew out of playing with dolls. Anaya was perfect in every detail, from the button eyes to the black thread glued on and styled for hair. Jazmine had tried to copy Anaya’s look from a magazine ad for shampoo in which a beautiful businesswoman hailed a taxi in some city, probably New York. Jazmine had hailed many imaginary taxis with the help of Anaya. Magical taxis that took them to all the big cities: London, L.A., Tokyo.

    Jazmine reached up and pulled a white envelope out from underneath Anaya. She stared at the envelope, rereading the return address as if she still couldn’t believe it. The words Charleston Southern University appeared in the top left-hand corner in plain type, casually, as if it were a letter from an old friend. Jazmine pulled out the letter and carefully opened the folded paper.

    It began:  Dear Ms. Walker,  We are happy to announce your acceptance into the English Studies Program at Charleston Southern University. Furthermore, we are very pleased to inform you that you have been chosen for the Destiny Hudson Aspiring African American Writer Scholarship based on your essay, “Where I am From and Where I am Going”. The rest of the letter included details on who to contact for further financial information and her academic advisor’s name, Dr. Sylvia Freeman. A real name of a real person hundreds of miles away who was supposed to help Jazmine register for classes. She couldn’t believe it. 

    The last line of the letter asked that the enclosed acceptance/enrollment form be filled out and returned by May 1. Jazmine had completed the form the same day she picked the letter up at the docks. Charlie, an older man who retrieved the mail from the mainland by boat each weekday, looked at the envelope before he handed it to Jazmine. He must have read the return address because the sadness crept into his eyes as he said, “Well, Jazzy, you certainly have grown up.”

    Jazmine lifted Anaya up again and pulled another envelope off the shelf. This one was sealed and addressed to the university. It was her acceptance form ready for the mail except for the stamp, which she would give Charlie money for when she asked him to mail it. She proofread the address one more time to make sure it was correct, and then she sat on her bed holding the envelope carefully, as if a single wrinkle would change the administrators’ minds about her acceptance.

    She stared at the ceiling with the same question running through her mind as the day before and the day before that. How could she tell Mama?  Robbie was gone, and Daddy had been gone for years. It was just the two of them now. Mama had some younger cousins who would help her take care of the house if needed, Jazmine thought, and Mama’s house served as the island’s unofficial restaurant. Although to call using a kitchen to cook seafood eight or nine times a month for a few scattered tourists a restaurant was a stretch of the imagination, it did make Mama the small amount of money she needed to get by. Yeah, Mama would be okay, Jazmine thought, but okay wasn’t good enough for Mama.

    Jazmine knew Mama would be lonely, and her mother deserved more than loneliness after the work she’d done raising two kids on her own. I’ll come home often, Jazmine thought. But that was what Robbie said when he left, too. He said he would come home often, and that he’d write even more often. That was a year and a half ago, and he visited once when he had to make an East Coast run. When he first left, he did write fairly often, but after the first year, the postcards and letters slowed to maybe one every couple of months.

    Jazmine read the acceptance letter again. Dr. Sylvia Freeman. She liked the sound of the name. She said it out loud, “Dr. Sylvia Freeman.”  Then she said out loud, “Dr. Jazmine Walker.”  She liked that even better. 

    Jazmine stood up with an envelope in each hand and closed her eyes. It was time. With determination, she walked out of the bedroom. In the hall, the familiar aroma of Mama’s kitchen enveloped her so completely that Jazmine stopped just short of the kitchen doorway. The earthy tones of rice, the sweet odor of okra and tomatoes, the smoky ham hock and the breath of the sea itself in the crabs and shrimp all mingling and rising together from the slow-cooked stew.

    “You can do this Jazmine,” she whispered to herself and stepped through the doorway, hesitating again at the sight of Mama leaning against the sink. Mama was snapping the heads off shrimp to set aside for use later as vegetable broth flavoring, before dropping the shelled bodies and tails of the shrimp into the pot.

    “Mama, I need to talk to you.” Jazmine forced the words out.

    “Go ahead,” Mama said while her hands kept working at the shrimp. 

    “Well, I’ve been thinking a lot about something.”

    “All right.”

    “I’ve been thinking about going to school. And I got something to show you.”  Jazmine held the letter out towards her mother.

    Mama stopped and dried her hands on her apron. She turned and took the letter and unfolded the page. She read for a moment and then looked at Jazmine and refolded the letter.

    “I am not going to read anymore,” she said. “Jazzy, if you’re going to tell me something, I want you to tell me. I don’t want to read it in some letter.”

    Jazmine breathed heavily. She turned away from Mama, and the words flew out like panicky seagulls on a strong wind. “I’m going to school. Mr. Cartwright helped me get a scholarship, and I am going to accept it. I am going to Charleston Southern. It’s time for me to go. I need to make something of myself. I can’t stay here and do nothing. I can’t do it. I need to see something new, something different than crab traps and alligators and gravel roads and old men with tales of the Watchers. I got to take this chance. I got to.”

       Mama was quiet. Jazmine felt her confidence washing away like sand under your feet when standing in an outgoing tide. She stared at the letter in Mama’s hand.

    “I knew you were leaving,” Mama finally said, setting the letter on the counter behind her, so that she stood between Jazmine and the letter.

    “Mama, you couldn’t know. I didn’t even know for sure until right now.”

    “Well, the island knew, and you don’t think this island here can keep a secret from your Mama, do you?  I’ve known this island too long, since I was born. I can tell if a storm is coming, and I can surely tell when my baby is leaving. And the Watchers—”

    “The Watchers told you I was leaving?”

    “Yes, ma’am,” Mama said. “They came into my dreams after old Charlie told me you got a letter from a university. The Watchers seen plenty of you young folks leave to know when it’s about to happen. They talk to us old folk. In our dreams, they say ‘keep ’em here’. They say ‘keep ’em here’ because the Watchers are family too.”

    “But Mama—”

    “And you’ve been so quiet, sneaking off to your room and just sitting in there. When the island gets quiet, that means there’s a storm coming or a heat wave or some other kind of change. I remember Robbie got real quiet for a couple of weeks, just like you’ve been doing. He was in his room flipping through those trucker magazines, finding a company that would pay to train him. Just like you’ve been doing with that letter.”

    “I ain’t doing it to hurt you.”

    “Robbie didn’t want to hurt me either. Didn’t want to hurt you just the same, but tell me how you feel?”

    “I miss him. But I’m glad he left.”

    “That’s not what you’ve been saying the whole time he’s been gone. That’s not what you said when he quit writing letters.”

    “But it’s what I’m saying now.”

    “Well, I ain’t going to stop you, but I ain’t going to pack your bags neither.”  Mama picked up the letter and handed it back to Jazmine. “You gotta do what you gotta do,” she said and then turned around, and her hands went back to work.

    “But Mama—”

    “I’m not going to give you my blessing to leave your home,” she answered without turning.

    “Mama, I was hoping for your blessing, but I didn’t expect it. And I’m going. I just got to…”

    “You got to what?”

    “I got to know if you’re going to be okay when I’m gone.”

    Now, Mama did turn around. Her eyes wide as she wiped her hands on her apron.

    “I was a woman before you or Robbie was born. I was a woman alone before I met your father. I’ve been a woman alone before, and I ain’t scared to be one again.”

    There was a silence before Mama continued, “Besides, I’ve told you, I left the island once myself for a full year. It wasn’t the same. So much noise you couldn’t hear nothing. So many cars and people you couldn’t hear the world talking. I missed the whistle of the marsh grass and the splash of the crab nets as the men threw them out in the water. And I missed the horn of the ferry as it pulled into the dock with supplies and the mail. Maybe you might miss these things, too. Maybe you might miss the island talking, and you might come home to us on that ferry.”

    “Maybe.”

    “And, Jazzy, you’ll always be welcome here as long as I’m breathing,” Mama said.

    Jazmine looked at her mother standing there with her graying hair sticking out from underneath her yellow head wrap, her strong shoulders sunk slightly, her dirty apron tied around her waist. Jazmine walked forward and wrapped her arms around her mama.

    “I love you, Mama.”

    Jazmine turned to leave, both letters tight in her hand. She walked slowly just in case there was something else Mama wanted to say. Jazmine put her hand on the doorknob. Silence. She stepped outside.

    The island was quiet, except for the rustle of the pines in a warm breeze and the low hum of insects. The evening sky was beginning to soften. Soon, the oranges and reds of the sunset would sink lazily into the mainland to the west of the island, pulling some of the humid air with them. It was Sunday evening, so the last ferry of the weekend would be leaving the dock at Marsh Landing soon. Charlie would be there for sure, loading any mail that had to get to the mainland post office before Monday morning. Jazmine picked up the bike Robbie had left her and climbed onto the seat. She put the letters in the wire basket attached to the handlebars and began pedaling towards Marsh Landing. It was done; she would leave the island. As soon as the letter was in the mail, her life would be in motion.

    Jazmine had ridden a bike down this same dirt and gravel road countless times. But this time felt different. A kind of sad loneliness filled her belly, yet she felt like she wasn’t alone. She felt like she was being watched.

    There was a noise at the edge of the woods to her right. Probably a raccoon or a deer, Jazmine decided, but she pedaled faster just the same. Though slight, the breeze seemed to fight against her, and she imagined it carrying her letters out of the basket and into the marsh tides on the other side of the trees. Jazmine reached down and put a hand on top of the letters while keeping her balance with the other hand. “You can’t have these,” she said softly to the island. When she rounded the last corner to Marsh Landing, Jazmine heard the ferry horn and saw Charlie leaning over to pull up the loading ramp.

    “Charlie, wait!” she yelled over the sound of the horn. 

    Charlie stood up and looked at Jazmine as she jumped off the bike and ran to the ramp.

    “What is it, Jazzy?” he asked.

    “I have a letter for you.”

    Jazmine handed Charlie the letter, waiting until she felt it safely in his hand before letting go. Charlie looked at the envelope and then at Jazmine.

    “Money for the stamp?” Charlie asked.

    “Oh, no. I forgot it.”

    “I’ll cover this one,” Charlie said. “Think of it as a goodbye present.”

    Charlie tucked the letter into a large canvas bag by the rail. Then he smiled a soft smile at Jazmine as he pulled the loading ramp closed.

    Jazmine watched the ferry pull away and turn towards the mainland. It was slow and beautiful. A few seagulls followed closely behind, diving into the wake where the engines churned up an occasional fish. Jazmine stood still and felt the warm salt breeze on her skin. She also felt them behind her, watching. But she did not turn to them. She kept her eyes on the boat as if her gaze kept it afloat and kept her letter safe. And when she could no longer see the boat, Jazmine closed her eyes and pictured the letter tucked safely in the bag.

    “Make your way to Dr. Sylvia Freeman,” she whispered.

    It was when she opened her eyes and found herself staring into the fading light of the day over the marsh grasses and distant pine trees that Jazmine caught a glimpse of the enormity of forever. She turned towards the woods with empathy for the Watchers. But they were gone.     


    Jason Gibeau is an award-winning writer who lives in Greenville, South Carolina, with his wife and three amazing kids. Jason’s first novel, The Duel, a historical fiction rich in magical realism, is set on a Lowcountry rice plantation at the dawn of the Revolutionary War and is scheduled for release on October 15, 2025. In addition to writing fiction, Jason has published several non-fiction articles in a variety of magazines and worked as a content editor for a health publication. Jason loves his primary job as an occupational therapist working with children with disabilities and plans to release several picture books for kids soon under the pen name Jase Wilder (www.jasewilder.com). In his elusive free time, Jason can be found playing guitar and writing songs, hanging with his family or looking for any excuse to make the drive to the Charleston area for pier or surf fishing. Visit www.jwgibeau.com for books and updates!

  • Rotten Clementines

    by Patrick Adkins


    Jay lived in a slumped beige duplex just past the Watershed Glen train tracks—a place that looked like it had been built in one frantic day and forgotten the next. Mold ghosted the air vents. The front step clung to the doorway like a scab—too tender to tear away without drawing blood. Inside, a secondhand couch sagged under the weight of mildew and old bourbon. Jay had never tasted liquor that cost over thirty dollars, and even then, it was expensive in the way an oil drum is expensive—by volume, not value. Morgan, his girlfriend, sold weed from the bathroom vanity, calling it “small-batch botanical work” like she was distilling artisanal gin. But there was nothing small batch about it. Morgan got her weed from some old redneck who lived off Pauli’s Creek, and she always smelled like sweat and linen after every re-up.

    Jay dropped out of Tideland Coast College twice—once for not showing up, once because he forgot he was enrolled. His memory wasn’t bad, just badly applied. He had a habit of drifting, sealing himself off from the world, its clutter, and the parade of assholes pretending to search for answers. Most days he lay on the floor in busted cargo shorts, watching closed-captioned cooking competitions. He didn’t cook. Barely ate. But there was a strange comfort in watching people pretend food mattered—like those assholes again, only these had found the answers, crushing them into pesto or shaving them into consommé, feeding envy into every crevice of Jay’s molars.

    Morgan kept the machine wheezing along. She’d vanish for hours and return smelling like spearmint, sweat, and car upholstery. She once handed Jay a joint she dubbed Savannah Fog, promised it would “reset his perception.” He coughed for ten minutes and felt the same—just wetter. Jay didn’t think his perception needed any sort of calibration, but then again, maybe that was precisely the issue Morgan was talking about. So Jay just sat there. His cargo short seams bursting with ambition, and his lungs—heavy with intention.

    Then came the clementines.

    It started one limp Sunday at the Old Ashe Market, a half-collapsed farmer’s stand behind the ruins of a bowling alley off Highway 601. Jay had walked there on instinct, afraid if he didn’t leave the house, he’d dissolve fully into the upholstery or be swallowed by his cargo shorts, hands first. His phone was dead. Morgan was hosting a “Meditative Edibles” seminar in what had been a Chinese buffet. That’s where he saw them—clementines in a dented bin, left too long in the sun. Wrinkled, concave, their skin puckered like drowned hands. A few were split at the seams, leaking pale juice that pooled in the corners of the metal like sweat in a fever dream. Mold had begun to spider across their rinds—green-gray and delicate, like frost with a secret. One was almost beautiful in its ruin, furred over with a lacey bloom that seemed to pulse gently in the heat.

    He stared, not in disgust, but with a quiet ache, as if the fruit had whispered something only he could hear. Something about being forgotten. Something about softening slowly while the world sped on. He felt it twist in his ribs. A kinship. He took two. No one stopped him. Nobody wanted them. At home, he placed them in the bathtub. Not tossed—placed. Gentle, like they were sacred or broken. He sat on the floor, half-pulled the curtain, killed the light. The fruit didn’t glow or hum or rot in fast-forward. It just was—softening, dimming, becoming. And that was enough.

    He went back the next week. Stole five, then ten. By September, the tub held a heap of sunburned ghosts. Some sagged open. Others wept syrupy tears. A few bloomed with fine green mold, delicate as lace. The air turned syrup-thick—swampy and sweet like perfume worn too long.

    Morgan eventually noticed.

    “You running an experiment?” she asked, folding a hoodie that didn’t belong to her.

    Jay shrugged. “I’m keeping track of time,” he said. “Sort of.”

    She nodded, handed him a bowl of her bathroom weed, and asked if he wanted to try float therapy in Grimwood. Jay felt like telling her he had been floating and that he just wanted to be grounded, but just as he was about to express this, he was interrupted by a hollow knocking on the door. Mr. Wheeler. The other half of the duplex. Mid-seventies, maybe more. Always in a faded fishing hat, always cradling a plastic pitcher of sun tea, even on cloudy days. He knocked slow, like he was checking for a pulse.

    “You growing rot in there?” he asked one Tuesday.

    Jay shrugged. “Sort of.”

    “Did the same. After Nam. Kept peaches in a cooler till they split like hearts. Needed to see something that didn’t lie.”

    Then he turned and walked off, slow as a sentence you don’t want to hear the end of.

    After that, Wheeler started leaving things on the porch. A cigarette lighter with a dolphin sticker. A cassette labeled STORM SERMON 1993. A crumpled lily wrapped in foil. Jay left clementines in return—always soft, always bruised.

    Then he found the one.

    Tucked behind a box of collapsing squash at the market. Small. Firm. Flawless. No bruise. No puncture. It sat in his hand with the weight of something that knew it had been found. He placed it atop the mountain in the tub.

    And waited.

    A day. Then three. Then ten. The others rotted as usual, sinking into themselves like wet lungs. This one didn’t blink. Didn’t sag. Held its shape like a lie. Jay started waking with orange shadows beneath his eyes. Quit watching the Food Network. His dreams swam with pulpy suns, sticky hands, citrus pulp pressed like communion wafers against his tongue. Morgan said he whispered in his sleep: “It hasn’t died yet.” And “I think it’s waiting.”

    Then one morning, a note slid under the door. Crinkled. Orange-stained. Neat, narrow handwriting:

    Don’t trust what stays the same.
    The man next door once buried something that wasn’t fruit.
    —W.

    Jay stepped out, watched Wheeler kneeling in his hydrangeas, whispering into the dirt. He didn’t ask. Didn’t want to know. That night, Jay told Morgan he was leaving.

    “Leaving Watershed Glen?” she asked. “Or, like, leaving?”

    “I don’t know,” he said. “Both?”

    “Okay,” she said, flicking lavender paint across a rolling tray.

    Jay stepped outside, rolled something—a whisper of Savannah Fog, maybe. Or just paper and hope. The world leaned sideways. The sky turned a sick gold. He reached into his pocket. The clementine was still there. Dense. Untouched.

    As he passed Wheeler’s door, the old man was digging again. Elbows deep. Humming. Jay didn’t stop. Didn’t look back. But he heard him—Mr. Wheeler, muttering into the soil:

    “Some things rot. Some things wait for you to rot instead.”

    And Jay kept walking, unsure if the fruit was a miracle or a trap—
    but knowing, finally,
    that it was time to go.


    Patrick Adkins was born and raised in Charleston, South Carolina. He now lives in
    Aiken, South Carolina with his wife, Dr. Chloe Adkins, and their son, Ambrose. His
    writing often blends the familiar and the surreal, exploring the strange edges of ordinary
    life.

  • Egg Salad

    by Jade Rivera Bowden


    The cheese had blackened around the edges. She dug her fingernail in, scraping the charred bits onto the floor of her car, slamming the brakes at the last second to keep from rear-ending the car in front of her. 

    Her students had been particularly annoying that day. The closest she could get them to an analysis of Animal Farm was a conversation about Jessica’s hamster’s most recent escape attempt.   

    With the burnt quiche in one hand, she laid on her horn with the other, a gentle reminder to the car in front of her that it was, in fact, clear for them to turn left. 

    No one seems to know how to drive, Sheila thought, even as the slush falling from the sky seemed to be falling harder and faster every minute.

    She got into her third almost-accident as she was pulling into the parking lot of her apartment complex, braking so suddenly that she lurched forward to let a black cat cross her path safely. As she slowly rolled past it, she rolled down her window and hissed.

    She barged into her apartment, threw her keys into the dish with a loud clang, disposed of the failed quiche and wiped the crumbs off her navy slacks.

    It was already pitch-black outside, even though it was only 6pm. She’d had to stay late to watch the stupid play rehearsal. She’d told the fresh-faced theatre director that it was coming along nicely only because it was so bad that she didn’t even know how to give a meaningful critique. Or perhaps she just didn’t want to. 

    She dropped onto the couch, pulling a blanket over herself to block the world out. She did this on the increasingly frequent days that her students consumed her like a cackle of hyenas on a zebra carcass, leaving her nothing of herself but a blank space. 

    It was masochistic, she thought, to imagine that her love of books could translate to middle schoolers. This crazy fantasy she’d had as a college student, ‘inspiring the youth’ or some such bullshit, had become her wasting away each night in a crummy little apartment, extremely single, and going into a job each day that was nothing more than glorified babysitting. 

    Daniel would’ve known what to do, of course. Daniel always knew what to do. He’d been trained to be that way by those blue-blooded parents of his. She thought about that woman who was sleeping in his bed with him, on the right side assuredly, where she herself had slept for so many nights. 

    The thought upset her, so instead of continuing to think, she turned on the TV. The blaring blue light soaked her and she stared blankly at the people on the screen, letting her own pitiful existence slowly drop away.

    “Jane,” she said the next day over cold soggy sandwiches in the teachers’ lounge, “I don’t really know how to say this, but…” she paused for dramatic effect. “The play is going to be a disaster.”

    They both hunched over, laughing into their fists. 

    Jane taught History at Middleboro Middle School. Her classroom was right next to Sheila’s, so they’d become friends. Best friends. Jane had the chubby cheeks of an innocent with the wit of a snake. Her pale blonde hair was always cut short, making a halo around her head. Jane liked to say it was the perfect disguise for her checkered past. 

    Jane had been appointed as Set Designer for the play since the art teacher was out on maternity leave. Sheila had been called in as one of the teachers for the ‘Test Group,’ teachers who would come in during the final week of rehearsals to give notes before the big day. 

    It was an atrocity really that the middle school had even been allowed to do a production of ‘Hair.’ The snappy new theatre director, Angelica, was in her first year of teaching straight out of college and had thought it would be a fun show for the students. But of course, she’d had to change every drug and sex reference to something PG, mangling the show beyond recognition. It was like watching your mind unraveling, personalities splitting and then splitting again, ending in a confusing cultural mush.

    That evening, Sheila sat in the fourth row in the dark auditorium, using both hands to tear into a buffalo wing. A smear of sauce snuck up her cheek. She wiped it off with her hand then wiped her hand on the velvet cushion below her.  

    It had been another exceptionally long day. She’d written Animal Farm on the board and ‘oppression’ next to it, steadying herself for the attempt to spark a conversation that would inevitably disappoint her.

    As she turned back around to face her students, a sharp putrid smell hit her, reaching inside of her and flipping her stomach over. 

    She covered her nose, so shocked by this onslaught that she was unable to speak for a moment. That’s when a girl in the middle of the class started crying. She’d vomited into her own lap, attempting to conceal it from her classmates, but an orangey gravy had started trickling down her legs. The smell alone had made two other students vomit. 

    By the time everyone had gotten cleaned up and settled back in and the girl had been taken to the nurse to sort out whatever hadn’t agreed with her, there were only 10 minutes left in class.

    Sheila hadn’t been hungry for lunch. She’d caught traces of bile on the air for the rest of the day, so she was starving by the time school was over. She feasted on the wings, eating with the speed and consistency of a machine while delighting in this awkward version of ‘The Bed.’

    Sheila had looked up the actual play as a means of comparison. She knew that this song was supposed to be about sex. Angelica had made it about going to sleep. A particularly delicious sleep.

    The boy singing must have gotten ahold of the original lyrics, too He sang loudly, “You can tease in bed, you can please in bed—” 

    Angelica interrupted him. “No, no Henry. It’s You can EASE in bed, then you pick up the TEA CUP and—”

    “Sheila?” 

    It was whispered right next to her as she’d been mid-bite, hunched over, tearing meat away from bone with her teeth.

    She turned, body tensed like a cat, only to see Daniel right next to her.

    The fact that he was the principal had been fun at the time. Incredibly sexy. But now it made her skin crawl, her ex-lover being her boss.

    “Oh, hi” she scraped out.

    “May I?” he gestured to the seat next to her.

    “Sure”

    She stuffed the wings under her seat, but the overpowering spicy and barbeque-y smell enveloped them. Daniel didn’t react.

    “I was so sorry to hear about Molly throwing up today,” he whispered, looking straight ahead. 

    How to respond to that? “Well, sure.”

    “How are you doing?” he asked. The fact that they were whispering in the dark brought back an intimacy that made her tingle. She diligently tried to clean her mouth with her tongue, running it over her teeth, around her cheeks, desperate for her breath not to smell. 

    “I’ve been better” she whispered straight into his ear, her chin just barely grazing the fabric of his blazer. She felt a chill like she’d just dived into a freezing lake face-first.

    He kept his gaze on the stage. “Understandable,” he said, flatly, nodding. 

    They sat like that together, not uncomfortably, for a few moments. 

    The ten boisterous children in pajamas on stage pretended to yawn, singing about how the bed was “an invention so good.”

    Daniel scoffed lightly, turning to her again. “You know, this play was originally a form of protest against the war on drugs.”

    “Yeah, all that they’re protesting now is our sanity.”

    Just then a sharp, loud and wildly out of key note startled the whole room. Even the child singing clapped their hand over their mouth, blushing.

    They bit back laughter, pressing themselves into the backs of their seats in the cavernous dark room.

    He stayed there for the rest of the rehearsal, right next to her in a sea of empty seats. She could hardly remember what it had felt like to be hungry.  

    The next day in the teacher’s lounge over bland veggie fusilli, she told Jane everything.  

    “And he just sat there?” Jane asked, “The whole time?”

    Sheila nodded smugly, inhaling the smell of chicken wings that was still beneath her fingernails. 

    On her way home that night, she’d watched the trees reaching their bare limbs straight up, tangling them in the night sky. When she plopped onto her couch, she hadn’t turned on her TV. Instead she’d picked up an old favorite, Lady Chatterley’s Lover.

    The next day was her final pre-viewing of the play. She’d gotten meticulously dressed that morning– her long red and black patterned dress with the buttons down the front. Buttons that could be unbuttoned, she thought.

    Her classes flew by uneventfully, a welcome surprise. They’d even gotten into a mildly interesting debate about Oscar Meyer wiener when discussing Animal Farm. 

    When the last bell finally rang and the kids were all out of her classroom, she’d used her reflection in the window to re-pin her hair. She spritzed her neck with perfume one side then the other. Then she lifted up the bottom of her dress and gave herself a little spritz down there. She chugged a Slimfast then headed to the auditorium. 

    She sat in the same seat she’d been in the other night, trying to look interested. She pushed her chest out to create a luscious silhouette, just in case anyone was watching her. 

    Angelica had struggled with this number. ‘Walking on the Moon’ was supposed to be about a drug trip, but she’d decided to make the song about a flow state while playing an instrument. Lines like “Oh my God my bow is so soft. I love my cello” didn’t really land. 

    She felt a hand on her shoulder and shuddered. She smelled his musky cologne even before she turned to look, rapturous. 

    “Do you mind?” he asked, gesturing to the seat next to her. 

    “No not at—” she turned to see Daniel, perfect Daniel, the tweed of his blazer complementing his salt and pepper stubble. But then something emerged from behind him. Someone. Her. 

    She wasn’t even a teacher. She was the secretary in the main office, a lowly and uninteresting position. Sure, Daniel had a bit of a reputation. All the female teachers knew that. But Sheila hadn’t expected anything to come out of his trips to the fax machine, his requests for the secretary to help him fix it. Their romance budding over the warm paper.

    “Hi, Sheila”. The way she said it, the tone in her voice. Sheila’s lips curled inward, a smile as thin as a pencil line. 

    They sat there, right next to her, for the duration of the play. The secretary would lean over and whisper little things in his ear, how cute a child was, how she liked that hippy costume. Sheila was shocked that their relationship had lasted. No, not shocked. Angry. Not angry that he wasn’t with her, angry that he, her Daniel, had chosen someone so blonde, so thin, so endlessly appropriate. 

    Sheila watched them without turning her head, craning her eyes as far to the left as they could go. She saw how he tilted his head toward her when she spoke, a catcher’s mitt for her every little musing.

    He would smile, nod, but never provide a thought of his own. 

    The ‘Let the Sunshine’ song had largely been kept the same, unbearably joy-filled.  Sheila left as soon as the lights came up, fighting her way down the long row, toggling seat bottoms up and down in her wake. She could still hear their voices behind her, the secretary’s laugh like the tinkling of Christmas bells. A sound that was obviously meant to please him.

    “Jane.” Sheila barked into her phone when she was in the foyer. “Meet me at the roundabout.”

    A little while later, they were pulling up to his house. His front porch lights were on, welcomingly, but there were no other lights on in the house. Perfect, she thought. She’d hoped to get there before they got home.

    It had been more expensive than she thought it would be, buying all those eggs. More expensive than she could afford on her teacher’s salary, really. But she’d filled up her trunk anyway.

    The first one had missed by a long shot, landing somewhere in the rhododendrons, but the aggression of it had felt marvelous. Her arm whooshing through the air, her muscles ignited. She and Jane turned to each other, grabbing one another’s hands, laughing, jumping up and down.

    That’s when it really got fun. The shock of bright yellow dripping down the white siding was like seeing a rainbow for the first time, delightfully out of place.

    They decorated as much of the house as they could with yellow streaks. Jane even cracked some eggs on the front porch so Daniel and the secretary would have to step through them on their way inside. 

    On her last carton, Sheila hurled one right at the bedroom window, the one she’d been on the other side of so many mornings. To her surprise, the window broke. A loud alarm pierced the air. 

    They shrieked, but they didn’t really care. They were in the place beyond fear. Sheila looked down at the carton in her hands that only had two eggs missing, otherwise full. She thought of what she’d do with them if she brought them home. Maybe she’d make an egg salad. The thought felt grotesque, eating eggs that Daniel had tainted. 

    “Let’s finish this carton Janey” she shrieked so Jane could hear her.

    With the blare of the alarm coating the night, they yelled their final curses and hurled the last of the eggs right at the front door. 

    As she and Jane turned to leave, they were lit up by the headlights of a car turning into the driveway. 

    They froze. Jane turned to her, but Sheila tilted her head back and laughed, letting the beam of the headlight coat her open throat. She squared off to their car, licking her lips and giving them a big juicy smile. As if it was them who didn’t belong there. As if she’d just given them a gift and was expecting a thank you.  


    Jade Rivera Bowden is a current MFA student at USC and a graduate of Barnard
    College of Columbia University. One of her short stories was published in Silent
    Auctions magazine and she has recently finished a novel I Have a Great Opportunity for
    You which she is currently querying. She lives in a little brick house outside of the SC
    capital with her big fluffy dog and little tuxedo cat.

  • As She Lay Dying

    by Joe Oestreich


    My grandma Esther is laid out in a casket, riding in the open bed of a pick-up. My uncles, her sons, are driving her body from Milwaukee to the Upper Peninsula to make good on a promise.

    It’s 1982. February. The funeral took place this morning. Now it’s early afternoon, and the Wisconsin dusk has already descended. Uncle Rich sits in the drivers’ seat, a Schlitz tucked in his crotch. He drapes one calloused hand over the wheel. With the other, he works the gear shifter that extends from the steering column. The truck tops out at three speeds: three on the tree. Rich downshifts to second and swings left across the snow-blown double yellow to pass a slow-moving farm vehicle. He’s a mechanic for Harley-Davidson, and this is his deer hunting truck. Rich knows these country roads. He knows which double lines are rules and which are merely suggestions. Safely back in the right lane, he drains the last of his beer.

    Over on the passenger side sits Uncle Jim. He’s a Milwaukee County sheriff’s deputy. On the floor, between his boots, rests an open 12-pack. He bends down for two more Schlitzs, then pries away the detachable pull-tabs, the sharp, summertime kind that teach you to watch your step when you’re walking barefoot. He exchanges full cans for drained ones. Drops the tabs into the empties and sets them on the muddy floor mats. He stomps with a boot to crush the cans flat, but then Rich picks that moment to downshift for another pass, causing the empties to topple over. Jim wings one can lopsided. He bends forward and plucks it up as the uncrushed can rolls under the seat, lost somewhere among the lures and bobbers and buck-shot cartridges.

    Normally, like say on a trip up to the cabin in Hurley, my uncles would just slide open the screen behind their heads and drop the empty cans into the truck bed. Or, if they’d already had a few, maybe they’d fire the cans out the window and see how many they could land in back. Given the effects of wind speed and aerodynamics on the trajectory of empty aluminum, they’d miss far more often than they’d hit, the cans sparking against the pavement and bounding toward a resting place on the side of the road—dead soldiers left to rust among the hubcaps and hamburger wrappers.

    But tonight Rich and Jim do not toss the empties into the bed. Tonight the cans stay up front. Because tonight Esther’s riding in the back.

    My mom told me this tale many times, the version she heard from her brothers. But I’ll be honest. I can’t say for sure if my uncles were drinking Schlitz. I don’t know if Rich crossed the double yellows. I don’t know if Jim dropped the pull tabs into the empty cans. I would love to know, believe me. But there’s nobody of that generation alive to ask. Jim died in 2016, Rich in 2021. In the early months of the pandemic, my mom succumbed to covid, coupled with dementia. I’ll have to do my best with the secondhand story.

    My grandma, Esther Roth (née Mattson), died when I was twelve. I didn’t know her well. My family would sometimes visit her on our Christmas trips from Ohio to Wisconsin, but my sister Jill and I had only ever met the old and senile Esther. She too suffered from dementia, probably Alzheimer’s, as my mom would later—and as I might eventually. But there was no definitive diagnosis. Getting a little diddly, was how my mom described her mom.

    Jill and I were scared of Esther. She was frightening to us the way all strangers are, but especially bent, wrinkled strangers. When you’re a kid, old people are the nightmare versions of your parents. As you grow older, your parents become the nightmare versions of you.

    Esther was family, but she hardly seemed like a grandma, at least according to my limited, Hallmark-card understanding of the word. My grandma was Frances, my dad’s mom. She lived with Grandpa Ruben in Watertown, fifty miles west of Milwaukee. Frances baked meringue pies and preserved raspberries in Ball Jars and set out crystal bowls of butter mints on chenille doilies. Frances and Ruben weren’t wealthy by any stretch, but they lived in a proper house. With a proper backyard. A driveway that boasted a proper sedan.

    Esther lived in Arlington Court, a round, 24-story tower run by the Milwaukee Housing Authority to serve low-income seniors. I was always nervous riding the elevator to her floor. The building smelled like an unholy mix of institutional food and urine. Embarrassingly late into my twenties, I moved into an apartment that reeked like Esther’s home. A friend of mine said it smelled like prison. Old folks’ homes and prisons: places where days/months/years are constantly inventoried. But prisoners and old folks count in opposite directions.  

    Sometimes Esther would take the bus to Chicago to bet the ponies at Arlington Park. A first generation American, she was blessed with old-country intuition, passed down from her Finnish ancestors. She knew what to look for in a horse: one that had just taken a big, gushing piss.  

    There’s probably no data to support her equine urine theory, but Esther won more than she lost. Trouble was, even after she’d cashed in her tickets and ridden the bus home to Milwaukee, those ancestors were still speaking to her. Poltergeists are coming to steal your money, Esther, they’d say. Hide your winnings. She’d hide the cash well. Too well. So well that even she couldn’t find it. Blame the actual poltergeist, that little mischief-maker named Alzheimer’s.

    In Ohio, our phone would ring. Esther calling in a teary panic about the lost money. She’d stashed it in the laundry hamper. Now it was gone. Over the phone my mom would help her search. Have you looked in your shoes, mom? Have you checked the cereal boxes? Sometimes Esther found the cash. Sometimes she didn’t. In those cases, who knows? Maybe there were no winnings to begin with.

    Every so often, there’d be a span of several weeks where we’d get no calls from Esther at all. Mom would find out later that the poltergeists had stolen her phone.

    Esther’s service is my first funeral, my first glimpse of a dead body. Here in the mortuary everything is old and worn. Chipped veneer and frayed particleboard. Reminders that nothing lasts.

    My only dress-up outfit is a remnant from last Easter, a navy blue three-piece that’s already too small. Tie: clip-on. Pants: floods, revealing two inches of tube sock. Feels like I’m wearing a Halloween costume. Strangers smelling of mothballs and cedar tussle my hair. Plastic combs with missing teeth peek from the pockets of Sears dress shirts. Lee press-on nails tear through Naugahyde purses, digging for cigarette cases. Ancient, Aqua-netted women sit alone on folding chairs, their spotted hands running rosary laps.

    I don’t know these people, but everyone seems to know me. My mom makes the introductions. This is your cousin. This is your auntie. Everyone says how strong Esther was. How funny she was. How beautiful she looks now, inside the casket. Not to me, she doesn’t. She’s too white. Too made up. Too dead.

    The priest works the room, oozing conviction. Another day at the office. As he glides by, his robes stir the air with incense and cologne. It smells like mass—if mass were held at the perfume counter at JC Penney’s. He extends a comforting arm around my mom. “Ashes to Ashes,” he sighs. I assume he’s talking about the crowd out in the lobby, huddled around the ashtray. In here, everything is smoke. We’re all drifting toward the heavens, some of us faster than others.

    Afterwards, my mom and dad are hustling Jill and me across the snowy parking lot, when something catches his attention. He looks off in the distance and waves his hand. “Goodbye Esther.”

    “What do you mean?” asks my mom.

    “The casket’s right there.” Dad lifts Jill to his shoulders so she can see. “In the bed of that truck.”

    In the photograph that hung for years in my mom’s foyer, Esther is young and hearty. Tall with a high forehead and Scandinavian cheekbones. That Esther’s frozen in time, forty years from the stooped, senile woman I almost knew. Next to her sits my grandfather, an abusive alcoholic who made Esther and my uncles pay for whatever shitty deal life had dealt him. After chasing his frustration with Old Fashioneds, his mechanic’s hands would go work on his wife. Then on his sons. According to my mom, he’d pull Rich, Jim, and their brother Fred one at a time into a room. Through the door, she could hear the slaps, the punches, the tears. 

    Then he’d call my mom inside. But he never hurt her, never struck her. She was Daddy’s favorite. “Mary Anne is little and petite,” he’d often say, ignoring the redundancy—or perhaps using it purposely to reinforce his point.

    Esther fought back, sometimes physically, but there was no winning. So she took all the kids north to the U.P., to Bessemer, Michigan, to stay with her Mattson relatives. They didn’t return to Milwaukee for nearly a year, but they did return. Esther had no real choice. Catholic marriage was for life. She needed to believe my grandfather would change. Maybe she could change him. Or maybe in time he’d change himself. For the kids, a lousy father was better than none.

    He ultimately settled things by dying of a heart attack when my mom was thirteen.

    Esther made her children promise that when she died, they would not bury her in the Milwaukee cemetery next to their father. No way would she spend eternity next to that man. “Take me up to Bessemer,” she said.

    They’ve polished off the beers, so Rich and Jim stop at a package store for a pint of brandy. They joke that they should pick up a hitchhiker, somebody to chip in for gas. Where ya headed? I s’pose we can get you most of the way. So long as you don’t mind riding in the back with our ma.

    The last time I saw Uncle Rich was thirty-something years ago, in the late ‘90s. I sat at his dining table with my mom, Jill, and my girlfriend Kate, who’d eventually agree to marry me despite the odd ducks that populate my family. I looked up at the buck heads mounted to the walls. Behind my chair sat a freezer, loaded, Rich told us, with venison. It had been a good season. The freezer was packed with tenderloin and backstrap. Round, shank, and sausage. He’d set a plate of that sausage out for us, along with cheese and crackers.

    “You know my little dog?” Rich said to my mom. “My little Chihuahua?” He told us that the dog had recently died. “She was my girl.” He looked sad—justifiably and appropriately. But it was weird seeing Uncle Rich sad. He was always smiling, always laughing.

    And now, as if on cue, he chuckled, then told us about the promise he’d made to the dog in the days before she died. “I told her I’d never let one speck of dirt touch her,” he said. “Not one. Never.”

    My mom nibbled a cracker. “So how’d you bury her, then?”

    “I didn’t bury her,” Rich said. “No dirt, like I said.”

    Suddenly I had a vision of Rich elbows deep in DIY taxidermy. I looked around the room for a stuffed Chihuahua.

    But Rich didn’t have his girl preserved, or, God forbid, mounted. He told us that right now, as we spoke, he was storing her in the freezer.

    I reached back, pointed to the appliance behind me. “This freezer right here?”

    “Yep,” he said, smiling. “She’s tucked in with the venison steaks.”

    My mom almost spit her cracker laughing. “How long are you going to leave her there?”

    “’Til the freezer conks out or I drop dead.” He walked over to the unit. “I’ve got her wrapped in her favorite blanket.” He cracked open the door. “You want to see?”

    Last summer, Kate and I, and our kids—fifteen and thirteen—drove from our home in South Carolina up to Wisconsin. The plan was to make our own trek through the Badger State north to the U.P. The optics were very different from the drive Rich and Jim made forty-three years earlier. No truck. No casket, obviously. Instead, a Subaru Outback with a Thule roof carrier loaded with tents and sleeping bags.  

    On the way, we camped in Baraboo, where my cousin Becky, Uncle Jim’s daughter, lives. Every family has that one person who researches the genealogy, goes all-in on ancestry. In the Roth family, that’s Becky. She showed me copies of all kinds of records: Esther’s birth certificate from 1906, Esther’s father’s death certificate from 1921, a news article mentioning Esther’s mother’s death in 1933. Becky sent me an article about our great-great grandpa on my mom’s father’s side, who, it turns out, was some sort of Milwaukee pickle magnate. She texted me cemetery names and Google-map pins. Kate, the kids, and I found Esther’s parents’ headstone in Bessemer. We found Uncle Rich’s gravesite in Cornucopia, Wisconsin.

    As genealogically savvy as Becky is, there was one piece of information she didn’t know and couldn’t unearth: the location of Esther’s grave. Becky assumes Esther’s buried in the U.P., but she can’t determine where. Uncle Rich’s son Fred is pretty sure Esther was interred in Milwaukee after all, despite the promise. His brother, Richie, thinks she’s in the U.P. None of my cousins, nor I, can track down the obituary that might provide a clue. Everybody agrees that the casket-in-the-truck trip happened, but nobody knows for sure if that trip to Bessemer resulted in the actual burial.

    Here’s what I know: I trust my mom. Before dementia stole her memory, she knew the truth. And she told me what happened. So let’s finish her story. 

    It’s evening when Rich and Jim arrive in Bessemer. Fully dark. Even colder, even snowier, than down in Milwaukee. But my uncles’ work isn’t quite finished. Before settling in at the motel, they drive around town, stopping by the homes of cousins and second cousins, friends and neighbors, any house they remember and any house that might remember them.

    Half-drunk, they stumble up icy front steps. Hats in hand, they knock on doors. 

    “We’re Esther Mattson’s boys,” Uncle Jim, the Sheriff’s deputy, says. “Sorry to bother you so late, but we’ve got some sad news.”

    “She’s right out here in the truck.” Rich points toward the street. “You want to say goodbye?”

    Esther can’t be buried. Not in the Upper Peninsula in February. The earth is hard-frozen, and spring, well, spring’s like a twenty-point buck: it’s not that people doubt its existence, but it’s been a damn long time since anybody’s seen one, and nobody’s holding out hope of it coming around soon. So tomorrow, they’ll drop off Esther at the receiving vault (a.k.a. “the dead house”) where she’ll wait until the ground thaws enough for the grave to be dug. Could be April. Could be May.

    Tonight, after they’ve rung the bells, knocked on the doors, and taken their mother on her last tour of the town, they check into the motel. Jim takes a final swig of brandy before bed.

    Rich says, “Let me see that.” But he doesn’t drink. Instead he replaces the cap. Pulls the comforter off one of the beds and drapes it over his shoulder. He opens the front door to the frosty night.

    “Where you going?” Jim says.

    “Taking this stuff out to her,” Rich says. “In case she gets cold.”

    And he walks outside to the truck. He lays the blanket carefully over the casket. Sets the brandy on top. “Goodnight, ma,” he says, tapping the box. “Rest well.”


    Joe Oestreich is the 2025 Elizabeth Boatwright Coker Fellow in Fiction from the South Carolina Academy of Authors and the author of four books of creative nonfiction, including Hitless Wonder: A Life in Minor League Rock and Roll. His work has appeared in Esquire, Sports Illustrated, Salon, Creative Nonfiction, River Teeth, Ninth Letter, The Normal School, and many other magazines and journals. Four of his pieces have been cited as notable in the Best American series, and he’s received special mention twice in the Pushcart Prize anthology. He teaches creative writing at Coastal Carolina University

  • mississippi choir boy sings his last sunday

    by Eve Devera


    at mississippi baptist there’s a boy with long eyelashes.
    when you pass him the offering bucket,
    his fingers linger on yours. he’s the preacher’s boy,
    but he leaves the pew early and his shadow hangs
    in the hot air like breath in prayer against your neck.
    you hold a post-service picnic by the dumpster
    where sin has never been so sweet, and he calls you his choir boy
    in the drawl of lazy summer air. you want to make him smile,
    so you steal the grape juice, set the jug to his lips,
    watch him bare his throat and drink it down.

    now, choir boy, don’t lose yourself in the revels
    of another smooth-talking pastor’s son. the sun
    will always set, and this lesson is one you’ve learned,
    but soon the sky darkens and you’re late to dinner.
    the table is empty and daddy waits at the door.
    he’s a man of his word with brimstone in his back pocket.
    he’s a snake crusher in a pair of steel-toes.
    he’s a bible thumper who doles out beatings
    with an arm that doesn’t tire till you see jesus,
    and you see him every sunday. do not lie to a man,
    or his belt will rain thunder down your back.

    sing, choir boy, let them hear you repent.
    let them hear your hymns and let your father forgive you.
    tear leviticus out in sheets, lie on the pages so the ink
    will stain your skin and soothe the welts. do this
    but know that your eye will forever be drawn
    to the beautiful boy with the forbidden mouth.
    he eats an apple before the next sermon
    and winks when you see him in the foyer,
    nods an invite to the back lot garden to feast on figs
    and sit in the shadows of the trees of eden.

    remember, choir boy, jesus didn’t flinch at the sound
    of those footsteps. but this patch of weeds is godless,
    so it’s a last kiss on the cheek as the lights of the mob
    come bobbing behind the church. judas lopes away,
    but your feet tangle in the threads of transgression
    and you stumble. they’re on you like stones
    and there’s no one to draw in the sand for you,
    choir boy, only the marks that your thrashing and wailing
    leave scuffed in the dirt. they used to call you angelic
    when you warbled your tunes, but now your body’s in the ditch
    with angel robes stained bloody at the hem.

    oh, choir boy, sing a little longer.
    spread your wings and fly past the dregs
    of mississippi to a place where they’ll look up
    to hear your song trickle through the clouds.
    one more hymn, choir boy, one more hymn
    for all the boys with broken halos
    who find themselves face-down in the mud.


    Eve Devera is an undergraduate writer from Charleston, South Carolina studying Management at Charleston Southern University. She enjoys crafting poetry that balances sound and rhythm with vivid storytelling, right down to the particulars. Her work can be found in Olive & Ash, for which she also currently serves as Editor-in-Chief. 

  • we are the best lie i’ve ever told

    by Isabella Ayers


    i love a man who takes what he wants,
    i leave my body so you can use it.
    have your fun. I’m listening to the cicadas
    and trying not to taste you.
    i’m making constellations
    in the popcorn ceiling
    and waiting for my cigarette.
    i’ll be okay. if not now, soon.
    i just have to wait until winter,
    wait for snow.

    maybe that night you will taste like magic
    and my doubt will drain
    like blood from a stone. make me clean
    as the white sheets that do not
    yet hold our footprints.

    for tonight, the air is too humid for you to hold me.
    the power is out, the fireflies waltz
    in the absence of street lamps.
    we do not watch.


    Isabella Ayers is a biochemistry major at Charleston Southern University seeking to pursue a poetry MFA upon graduation. She is highly involved in creative writing communities on campus as an editor for Olive & Ash magazine and a board member of Writer’s Guild. She has been published multiple times in Olive & Ash and received the annual Gilmore Creative Writing award for her work. In her spare time, she sings in an Orthodox church choir, wanders aimlessly in dense forests at night, and collects the bones of dead animals. 

  • I think I hate Charleston—

    by Patrick Adkins


    it turned me bitter to the taste of lakewater,
    flattened my love for even weather,
    killed Charlie Hall and left his ghost
    wandering the green screen,
    while the meteorologist lies
    with the same face he used in church.

    Charleston is a mean trick:
    made me despise Maryland crab cakes
    just to come crawling back
    for a cracked blue shell,
    the soft molted ones,
    the delicate, defenseless ones
    whose backs burst like promises—
    offered up to the river gods of Wando,
    those scaled oracles,
    who return the favor
    by curling their tails
    into fry baskets,
    feeding the low-country faithful
    like communion.

    I hate how Charleston taught me
    not to fear the wilderness,
    how to dance with a hurricane—
    pressed to the sheetrock,
    while God, that old carnie,
    grins and slaps the button
    on the Gravitron of the mid-Atlantic.

    It confused my body into longing:
    for salt behind the ears,
    for pluff mud caked
    beneath the nails,
    between the toes,
    a perfume of mildew and memory.

    and
    Bushee Park,
    where the Cooper splits clean through—
    a delta of blood,
    of runoff and regret.

    I hate how everybody loves shrimp and grits now.
    I hate how they shut down Justine’s.
    I won’t touch another pecan
    until I taste her chicken again.


    Patrick Adkins was born and raised in Charleston, South Carolina. He now lives in Aiken, South Carolina with his wife, Dr. Chloe Adkins, and their son, Ambrose. His writing often blends the familiar and the surreal, exploring the strange edges of ordinary life.

  • Great Blue

    by Deirdre Garr Johns



    Deirdre Garr Johns is the author of the children’s book Weathering the Storm (Palmetto Publishing, 2024) and poetry chapbook, Fallen Love (Finishing Line Press, 2025). Her work is inspired by memories of people and places. Nature is an inspiration for her writing. Deirdre’s work has appeared in SylviaMagazine, South Carolina Bards Poetry Anthology, Eunoia Magazine, Nymeria Magazine, Silver Birch Press, Stone Poetry Quarterly, Sasee Magazine, and more. She participated in the Tupelo Press 30/30 Project in March of 2025. Deirdre’s website is www.amuseofonesown.com.

  • Sullivan’s Island

    by Jennifer Davis Michael


    Those images that yet
    Fresh images beget,
    That dolphin-torn, that gong-tormented sea.

    –Yeats, “Byzantium”


    I’m walking this Carolina beach
    so different from the Gulf ones I know well

    –wide, level, brown sand here,
    lank-ribbed like the Ancient Mariner,
    weird holes bubbling on its surface.

    No trace here of the uncounted slaves
    quarantined in this port, held
    in the hulls of skeleton ships,
    discharged into further blood and mire.

    A tall young woman flows toward me
    in a dress too refined for the beach,
    breathless: “Did you see the dolphin?!”
    I follow her pointing finger, shake my head.

    Still, I squint at the dazzling water.
    She turns back, points again. “There it is!
    Do you see it?” I spot what might be
    a flash of smooth flesh above the surface,
    or maybe just sunlight on rippling waves.

    But I say Yes to the exchange
    of wonder. An image
    only real if shared. The tearing
    of my eyes from the wormholes,
    the dancing floor below my feet,
    and everything that lies below the sand.


    Jennifer Davis Michael is a professor of English and Creative Writing at the University of the South in Sewanee, Tennessee, with a focus on British Romanticism and especially Wiliam Blake. Her poem “Forty Trochees” was selected by Rachel Hadas for the Frost Farm Prize in Metrical Poetry (2020). She is the author of two poetry chapbooks, Let Me Let Go and Dubious Breath, as well as a critical monograph, Blake and the City.